I don’t really remember a whole lot of sex, drugs and rock n’ roll, really.
BILL BRUFORDI don’t really remember a whole lot of sex, drugs and rock n’ roll, really.
BILL BRUFORDThis amateurism however, can sometimes be helpful in forging a style; you have to work around your weaknesses.
BILL BRUFORDSo he kind of nudged me and sort of prodded me into it. I picked it up slowly. Then I learned more about chords and harmony and I just kept adding to that.
BILL BRUFORDSometimes I had to room with Tony Kaye and that was awful.
BILL BRUFORDI practice at home, in between phone calls, and have much to do.
BILL BRUFORDI listen to Bill Stewart play the drums and when I have finished doing that, I listen to Bill Stewart.
BILL BRUFORDI warm naturally to the drummer whose ideas and approach are strong, even if he doesn’t quite have the ability to carry them out.
BILL BRUFORDThe best practice you can get is on the bandstand, but in between gigs I feel I have to stay in shape.
BILL BRUFORDYou learn so much about music from all the people you surround yourself with – good, bad and indifferent. It’s extremely hard to be specific.
BILL BRUFORDClose to the Edge, Red, One of a kind, Discipline, Earthworks, The Sound of Surprise, all seem to me to be albums that captured the essence of the intention.
BILL BRUFORDSecond edition of Earthworks I have the more traditional compositional approach, namely I write a piece from the piano.
BILL BRUFORDWe can be so focused on the nuts and bolts that we overlook the importance of individuality – the broader picture, if you will.
BILL BRUFORDAnd we’d drink huge amounts of scotch and coke, which is a ghastly sweet drink… And now people don’t drink nearly as much, for good reason. We’re all a little wiser.
BILL BRUFORDOne of the great things about having good players in your band is that you just ask them questions. You can pick up some good information that way.
BILL BRUFORDThe piano is kind of my second instrument.
BILL BRUFORDWe used to drink an awful lot of alcohol.
BILL BRUFORD