Sometimes I had to room with Tony Kaye and that was awful.
BILL BRUFORDHolding on to some of your uniqueness is the trick instead of surrendering it at the Academy of Contemporary We’re Gonna Make You a Star.
More Bill Bruford Quotes
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So he kind of nudged me and sort of prodded me into it. I picked it up slowly. Then I learned more about chords and harmony and I just kept adding to that.
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We were from totally different social backgrounds. This is what is very hard for an American to understand, but we could have been five guys from Mars.
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I listen to Bill Stewart play the drums and when I have finished doing that, I listen to Bill Stewart.
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We used to drink an awful lot of alcohol.
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And I like messing around in the engine room of music. Seeing what happens in the rhythm section area.
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We can be so focused on the nuts and bolts that we overlook the importance of individuality – the broader picture, if you will.
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Holding on to some of your uniqueness is the trick instead of surrendering it at the Academy of Contemporary We’re Gonna Make You a Star.
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Close to the Edge, Red, One of a kind, Discipline, Earthworks, The Sound of Surprise, all seem to me to be albums that captured the essence of the intention.
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But what I think my emphasis is, is on the fact that I like music a lot.
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I don’t really remember a whole lot of sex, drugs and rock n’ roll, really.
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I warm naturally to the drummer whose ideas and approach are strong, even if he doesn’t quite have the ability to carry them out.
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So I have the classic amateur’s technique; I know some very tricky bits and I have large gaping holes.
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Second edition of Earthworks I have the more traditional compositional approach, namely I write a piece from the piano.
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This amateurism however, can sometimes be helpful in forging a style; you have to work around your weaknesses.
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Plus I am being hounded by all the fabulous new drummers, Bill Stewart at the head of the pack.
BILL BRUFORD