This amateurism however, can sometimes be helpful in forging a style; you have to work around your weaknesses.
BILL BRUFORDI warm naturally to the drummer whose ideas and approach are strong, even if he doesn’t quite have the ability to carry them out.
More Bill Bruford Quotes
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You learn so much about music from all the people you surround yourself with – good, bad and indifferent. It’s extremely hard to be specific.
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I warm naturally to the drummer whose ideas and approach are strong, even if he doesn’t quite have the ability to carry them out.
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I practice at home, in between phone calls, and have much to do.
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Close to the Edge, Red, One of a kind, Discipline, Earthworks, The Sound of Surprise, all seem to me to be albums that captured the essence of the intention.
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Sometimes I had to room with Tony Kaye and that was awful.
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The best practice you can get is on the bandstand, but in between gigs I feel I have to stay in shape.
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I don’t really remember a whole lot of sex, drugs and rock n’ roll, really.
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So he kind of nudged me and sort of prodded me into it. I picked it up slowly. Then I learned more about chords and harmony and I just kept adding to that.
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I didn’t write any music at all, and then, I remember Jon Anderson being very insistent saying that there were two kinds of musicians: the ones who wrote music and the ones who didn’t.
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A rock band used to be four guys and a drummer. Now it’s five guys sitting around reading manuals!
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The piano is kind of my second instrument.
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And we’d drink huge amounts of scotch and coke, which is a ghastly sweet drink… And now people don’t drink nearly as much, for good reason. We’re all a little wiser.
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Plus I am being hounded by all the fabulous new drummers, Bill Stewart at the head of the pack.
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So I have the classic amateur’s technique; I know some very tricky bits and I have large gaping holes.
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We were from totally different social backgrounds. This is what is very hard for an American to understand, but we could have been five guys from Mars.
BILL BRUFORD






