Sometimes they are a matter of luck; the photographer could not expect or hope for them. Sometimes they are a matter of patience, waiting for an effect to be repeated that he has seen and lost or for one that he anticipates.
BILL BRANDTA photographer must be prepared to catch and hold on to those elements which give distinction to the subject or lend it atmosphere.
More Bill Brandt Quotes
-
-
If there is any method in the way I take pictures, I believe it lies in this: See the subject first. Do not try to force it to be a picture of this, that or the other thing. Stand apart from it. Then something will happen. The subject will reveal itself.
BILL BRANDT -
Andre Breton once said that a portrait should not only be an image but an oracle one questions, and that the photographer’s aim should be a profound likeness, which physically and morally predicts the subject’s entire future.
BILL BRANDT -
It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of the child who looks at the world for the first time or of the traveler who enters a strange country.
BILL BRANDT -
Indeed, I feel the simplest approach can often be most effective. A subject placed squarely in the center of the frame, if attention is not distracted from it by fussy surroundings, has a simple dignity which makes it all the more impressive.
BILL BRANDT -
By temperament I am not unduly excitable and certainly not trigger-happy. I think twice before I shoot and very often do not shoot at all.
BILL BRANDT -
A feeling for composition is a great asset. I think it is very much a matter of instinct. It can perhaps be developed, but I doubt if it can be learned.
BILL BRANDT -
Sometimes they are a matter of luck, sometimes of patience, waiting for an effect to be repeated that you have seen. It is usually some incidental detail that heightens the effect of a picture, stressing a pattern, deepening the sense of atmosphere.
BILL BRANDT -
I am not very interested in extraordinary angles. They can be effective on certain occasions, but I do not feel the necessity for them in my own work.
BILL BRANDT -
When I began to photograph nudes, I let myself be guided by this camera, and instead of photographing what I saw,
BILL BRANDT -
It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of a child who looks at the world for the first time or of the traveler who enters a strange country
BILL BRANDT -
Photography is still a very new medium and everything must be tried and dare.
BILL BRANDT -
Very rarely are we able to free our minds of thoughts and emotions and just see for the simple pleasure of seeing. And so long as we fail to do this, so long will the essence of things be hidden from us.
BILL BRANDT -
I photographed what the camera was seeing. I interfered very little, and the lens produced anatomical images and shapes which my eyes had never observed.
BILL BRANDT -
A photographer must be prepared to catch and hold on to those elements which give distinction to the subject or lend it atmosphere.
BILL BRANDT -
It is essential for the photographer to know the effect of his lenses. The lens is his eye, and it makes or ruins his pictures.
BILL BRANDT