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A photographer must be prepared to catch and hold on to those elements which give distinction to the subject or lend it atmosphere.

Bill Brandt

A feeling for composition is a great asset. I think it is very much a matter of instinct. It can perhaps be developed, but I doubt if it can be learned.
BILL BRANDT

Asset Develop Leamed Photographer
By professional standards I do not waste a lot of film; but by the standards of many of my colleagues I probably miss quite a few of my opportunities. Still, the things I am after are not in a hurry as a rule.
BILL BRANDT

Hurry Opportunities Photography Profession
The photographer must possess and preserve the receptive faculties of a child who looks at the world for the first time.
BILL BRANDT

Children Looks World
Very rarely are we able to free our minds of thoughts and emotions and just see for the simple pleasure of seeing. And so long as we fail to do this, so long will the essence of things be hidden from us.
BILL BRANDT

Emotions Essence Hidden Minds Most Pleasure Simple
Sometimes they are a matter of luck, sometimes of patience, waiting for an effect to be repeated that you have seen. It is usually some incidental detail that heightens the effect of a picture, stressing a pattern, deepening the sense of atmosphere.
BILL BRANDT

Details Height Patience Seen Sometimes
The good photographer will produce a competent picture every time whatever his subject. But only when his subject makes and immediate and direct appeal to his own interests will he produce a work of distinction.
BILL BRANDT

Distinction Photographer Produce
I am not very interested in extraordinary angles. They can be effective on certain occasions, but I do not feel the necessity for them in my own work.
BILL BRANDT

Occasions Often Photography Simple Work
I am not interested in rules or conventions. Photography is not a sport.
BILL BRANDT

Conventions Photography Sports
Photography is still a very new medium and everything must be tried and dare.
BILL BRANDT

Dare Mediums Photography
A photographer must be prepared to catch and hold on to those elements which give distinction to the subject or lend it atmosphere.
BILL BRANDT

Atmosphere Giving Photography
It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of a child who looks at the world for the first time or of the traveler who enters a strange country
BILL BRANDT

Children Country Jobs Receptiveness Something
By temperament I am not unduly excitable and certainly not trigger-happy. I think twice before I shoot and very often do not shoot at all.
BILL BRANDT

Opportunity Photography Thinking
Sometimes they are a matter of luck; the photographer could not expect or hope for them. Sometimes they are a matter of patience, waiting for an effect to be repeated that he has seen and lost or for one that he anticipates.
BILL BRANDT

Patience Photography Waiting
Photography is not a sport. It has no rules. Everything must be dared and tried!
BILL BRANDT

Everything Photography Sports Tried
And only the photographer himself knows the effect he wants. He should know by instinct, grounded in experience, what subjects are enhanced by hard or soft, light or dark treatment.
BILL BRANDT

Dark Light Photography
It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of the child who looks at the world for the first time or of the traveler who enters a strange country.
BILL BRANDT

Country Jobs Photography Receptiveness

A photographer must be prepared to catch and hold on to those elements which give distinction to the subject or lend it atmosphere.

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A photographer must be prepared to catch and hold on to those elements which give distinction to the subject or lend it atmosphere.

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