“When I began to photograph nudes, I let myself be guided by this camera, and instead of photographing what I saw,”

A photographer must be prepared to catch and hold on to those elements which give distinction to the subject or lend it atmosphere.

Photography has no rules, it is not a sport. It is the result which counts, no matter how it is achieved.

A feeling for composition is a great asset. I think it is very much a matter of instinct. It can perhaps be developed, but I doubt if it can be learned.

Photography is not a sport. It has no rules. Everything must be dared and tried!

We are most of us too busy, too worried, too intent on proving ourselves right, too obsessed with ideas to stand and stare

Sometimes they are a matter of luck, sometimes of patience, waiting for an effect to be repeated that you have seen. It is usually some incidental detail that heightens the effect of a picture, stressing a pattern, deepening the sense of atmosphere.

It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of a child who looks at the world for the first time or of the traveler who enters a strange country

I am not very interested in extraordinary angles. They can be effective on certain occasions, but I do not feel the necessity for them in my own work.

No amount of toying with shades of print or with printing papers will transform a commonplace photograph into anything other than a commonplace photograph.

I photographed what the camera was seeing. I interfered very little, and the lens produced anatomical images and shapes which my eyes had never observed.

Sometimes they are a matter of luck; the photographer could not expect or hope for them. Sometimes they are a matter of patience, waiting for an effect to be repeated that he has seen and lost or for one that he anticipates.

It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of the child who looks at the world for the first time or of the traveler who enters a strange country.

The good photographer will produce a competent picture every time whatever his subject. But only when his subject makes and immediate and direct appeal to his own interests will he produce a work of distinction.

By professional standards I do not waste a lot of film; but by the standards of many of my colleagues I probably miss quite a few of my opportunities. Still, the things I am after are not in a hurry as a rule.

Photographers should follow their own judgment, and not the fads and dictates of others. Photography is still a very new medium and everything is allowed and everything should be tried and dared…

But I did not always know just what it was I wanted to photograph. I believe it is important for a photographer to discover this, for unless he finds what it is that excites him, what it is that calls forth at once an emotional response, he is unlikely to achieve his best work.

I think most artists would agree, it’s one thing to be playing in front of a crowd that’s loving it, it’s another thing to add cameras, but it’s a really cool trade off to be on television.

Drive through a yellow light, and you may be ticketed thanks to a camera tied onto a pole. Everybody’s watching everything. And then sending it out to the world via email.

On practical level I can’t pick up the camera until I think I know what I want. I don’t wander around. It’s almost impossible for me to pick up a camera… it’s really hard.

Film has always been hard for me, I’m basically a stage actress. I never felt comfortable in front of the camera.

He [Viggo Mortensen] was standing behind the camera throwing the apples … And I’ve never seen him so happy.

All you have to do to be a camera actor is tell the truth.

The job is the same – to attempt to make it sound like you’ve never said it before and as if it’s just occurred to you. And that’s the same whether you’re on camera or whether you’re on stage in a room full of people.

I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.