Andre Breton once said that a portrait should not only be an image but an oracle one questions, and that the photographer’s aim should be a profound likeness, which physically and morally predicts the subject’s entire future.
BILL BRANDTBy professional standards I do not waste a lot of film; but by the standards of many of my colleagues I probably miss quite a few of my opportunities. Still, the things I am after are not in a hurry as a rule.
More Bill Brandt Quotes
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Photography is still a very new medium and everything must be tried and dare.
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Very rarely are we able to free our minds of thoughts and emotions and just see for the simple pleasure of seeing. And so long as we fail to do this, so long will the essence of things be hidden from us.
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We are most of us too busy, too worried, too intent on proving ourselves right, too obsessed with ideas to stand and stare
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Photography has no rules, it is not a sport. It is the result which counts, no matter how it is achieved.
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Indeed, I feel the simplest approach can often be most effective. A subject placed squarely in the center of the frame, if attention is not distracted from it by fussy surroundings, has a simple dignity which makes it all the more impressive.
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It is essential for the photographer to know the effect of his lenses. The lens is his eye, and it makes or ruins his pictures.
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It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of a child who looks at the world for the first time or of the traveler who enters a strange country
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No amount of toying with shades of print or with printing papers will transform a commonplace photograph into anything other than a commonplace photograph.
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Photographers should follow their own judgment, and not the fads and dictates of others. Photography is still a very new medium and everything is allowed and everything should be tried and dared…
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I photographed what the camera was seeing. I interfered very little, and the lens produced anatomical images and shapes which my eyes had never observed.
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Sometimes they are a matter of luck; the photographer could not expect or hope for them. Sometimes they are a matter of patience, waiting for an effect to be repeated that he has seen and lost or for one that he anticipates.
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The vital elements are often momentary, change-sent things … a gleam of light on water, a trail of smoke from a passing train, a cat crossing the threshold.
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I am not very interested in extraordinary angles. They can be effective on certain occasions, but I do not feel the necessity for them in my own work.
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When I began to photograph nudes, I let myself be guided by this camera, and instead of photographing what I saw,
BILL BRANDT -
It is part of the photographer’s job to see more intensely than most people do. He must have and keep in him something of the receptiveness of the child who looks at the world for the first time or of the traveler who enters a strange country.
BILL BRANDT