“OF COURSE I’d like to be the ideal mother. But I’m too busy raising children.”

In Roslyn, Pennsylvania, we started our real-life family circus. They provided the inspiration for my cartoons. I provided the perspiration.

Oh simple thing, where have you gone? I’m getting old and I need something to rely on So tell me when you’re gonna let me in I’m getting tired and I need somewhere to begin

When I was in high school at Northeast Catholic in Philadelphia in the late ’30s, I found that drawing caricatures of the teachers and satirizing the events in the school, then having them published in our school magazine, got me some notoriety.

A peaceful home is as sacred a place as any chapel or cathedral.

I never studied art, but taught myself to draw by imitating the New Yorker cartoonists of that day, instead of doing my homework.

Many of my cartoons are not a belly laugh. I go for nostalgia, the lump in the throat, the tear in the eye, the tug in the heart.

We are, in the comics, the last frontier of good, wholesome family humor and entertainment.

They invented hugs to let people know you love them without saying anything.

Lovesick, bitter and hardened heart. Aching, waiting for life to start

On radio and television, magazines and the movies, you can’t tell what you’re going to get. When you look at the comic page, you can usually depend on something acceptable by the entire family.

I don’t just try to be funny.

Time goes by at such a pace,it’s funny how it’s easy to forget her face

In Roslyn, Pennsylvania, we started our real-life family circus. They provided the inspiration for my cartoons. I provided the perspiration.

I don’t have to come up with a ha-ha belly laugh every day, but drawings with warmth and love or ones that put a lump in the throat. That’s more important to me than a laugh.

I never studied art, but taught myself to draw by imitating the New Yorker cartoonists of that day, instead of doing my homework.

A peaceful home is as sacred a place as any chapel or cathedral.