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1. black
2. grey
3. blue
4. red
5. brown
6. white

I’m sorry, this is too much work, I’m going to try applying for call center jobs. The pay is better.’

Bharati Mukherjee

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  I flew into a small airport surrounded by cornfields and pastures, ready to carry out the two commands my father had written out for me the night before I left Calcutta:

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  My life has gotten a little more complicated than my ability to describe it. That used to be the definition of madness, now it’s just continuous overload.

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  We do things when it is our time to do them. They do not occur to us until it is time; they cannot be resisted, once their time has come. It’s a question of time, not motive.

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  I am a naturalized U.S. citizen, which means that, unlike native-born citizens, I had to prove to the U.S. government that I merited citizenship.

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  What was the function of poetry if not to improve the petty, cautious minds of evasive children?

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  You know, there was always a couple of bodyguards behind me, who took care if I wanted… I needed pencils for school, I needed a notebook, they were the ones who were taking out the money. I was constantly guarded.

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• 

  But, Christ, there’s a difference between exotic and foreign, isn’t there? Exotic means you know how to use your foreignness, or you make yourself a little foreign in order to appear exotic. Real foreign is a little scary, believe me.

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  Through my fiction, I make mainstream readers see the new Americans as complex human beings, not as just The Other.

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  I had never walked on the street alone when I was growing up in Calcutta, up to age 20. I had never handled money.

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  In India, there are real consequences to inattention; drivers who jeopardize pedestrians can be lynched on the spot.

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  I’m sorry, this is too much work, I’m going to try applying for call center jobs. The pay is better.’

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  Growing up in an old-fashioned Bengali Hindu family and going to a convent school run by stern Irish nuns, I was brought up to revere rules. Without rules, there was only anarchy.

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  There was no audience for my books. The Indians didn’t regard me as an Indian and North Americans couldn’t conceive of me of a North American writer, not being white and brought up on wheat germ. My fiction got lost.

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• 

  In traditional Hindu families like ours, men provided and women were provided for. My father was a patriarch and I a pliant daughter.

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  I feel empowered to be a different kind of writer. The longer I stay here, the more light filters into my work. I feel very American. I belong.

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• 

  My first novel, ‘The Tiger’s Daughter,’ embodies the loneliness I felt but could not acknowledge, even to myself, as I negotiated the no man’s land between the country of my past and the continent of my present.

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