I think it’s really cool that there are people like Adele on the cover of ‘Vogue’ and ‘Rolling Stone,’ and like I think it’s really important that people are talking about your body, because if they don’t, then you’ll never be able to break that barrier.
BETH DITTOI’m a great believer in karma and the vengeance that it serves up to those who are deliberately mean is generally enough for me.
More Beth Ditto Quotes
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We all seek approval, and our mother’s seal is usually the most important. The nitty gritty is that we have to accept ourselves, even if it is just to be ready for the next cut-down. Mom’s blessing or not.
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I love sad songs. They say so much. I love country music but even the happy songs sound really sad.
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Girls are taught to sing high and pretty, like Antony, not low and from the guts like Nina Simone. But we’re slowly trying to change that. There are so many things we’re not told growing up, and it’s our true feminist responsibility to take the truth to the people who need to hear it.
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Someone told me once that Lucinda Williams takes six years between albums, and that’s what stuck to me; it’s like, you really are a factory. You don’t do things to make them, on your own time.
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I was overcome by the Holy Ghost one time, but in a Baptist way. I was six or seven, and I was saved. I just cried and cried. It was joy!
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I’m constantly thinking about what I’ll do next. I never count on music being a career of longevity. I mean, longevity is key, and I hope that it lasts, but you just don’t know, because it’s not in your hands, you don’t make the decision.
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We have to stop this idea that we have to be a certain shape.
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You’re talking about a major label, we’re talking about serious business; you’re not an artist anymore, you’re a business, you have to work in terms of product, you have to release a product, and I don’t really think that way at all.
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This archaic idea – that a woman who is unmarried and childless at 30 is somehow unnatural – will probably always exist, and, like most social standards, it is ridiculous.
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The thing about being on the majors, from the beginning, going into this, I was like, “I’m not going to be treated like a factory,” because that’s never the way it was done before.
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High school wasn’t so bad though because, by then, I had worked out that there were far more nerdy kids and poor kids than there were rich, popular kids, so, at the very least, we had them outnumbered.
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Get a Job’ is about all the rich kids we knew when we were younger, kids who never had jobs but always had money for partying or getting their hair done.
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Portland is a place where you can find a community as a feminist, a vegan or a fat activist. Artists, musicians, knitters, and filmmakers can all meet like-minded souls. It’s proved the perfect place for me and all my punk friends.
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My size has helped make me an amazing performer too. The cliche of the Funny Fat Friend: I absolutely was that character – I am that character… It’s a complicated bag of tools I acquired, and I’ve put them all to work onstage.
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I said to my teacher, ‘I can’t be a singer because I’m not pretty enough, and I’m fat.’ And she looked at me and said, ‘Tell that to Nell Carter, babe.’ That changed my life forever!
BETH DITTO