I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late ’50s, early ’60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism.
BERNARDO BERTOLUCCIThe problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
More Bernardo Bertolucci Quotes
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I left the ending ambiguous, because that is the way life is.
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Sometimes I think that I understand my movies after I make them. Really. I go very often off of instinct.
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A monoculture is not only Hollywood, but Americans trying to export democracy.
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Pornography is not in the hands of the child who discovers his sexuality by masturbating, but in the heart of the adult who slaps him.
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I like to be in a huis clos, as the French say – in one place. It’s something that in general can create a bit of claustrophobia. But for me, claustrophobia becomes almost immediately claustrophilia. I love it!
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English dialogues are always just what you need and nothing more – like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
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This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.
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I’m no longer interested in making political films. There’s something old-fashioned about them.
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If New York is the Big Apple, tonight Hollywood is the Big Nipple.
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Young people now don’t care for politics. It isn’t present in life as it used to be. And increasingly I like films which reflect present-day reality.
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If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
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I am in love with the idea of doing a movie in 3D. I think 3D would be great for the story I want to do, in a realistic, normal story, using 3D on the emotions in a kind of intimate story.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
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There you have Quentin playing with kung-fu. That’s why the independents are the most interesting.
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You live day by day. You can’t build your life.
BERNARDO BERTOLUCCI