A monoculture is not only Hollywood, but Americans trying to export democracy.
BERNARDO BERTOLUCCIEnglish dialogues are always just what you need and nothing more – like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
More Bernardo Bertolucci Quotes
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There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
BERNARDO BERTOLUCCI -
I am in love with the idea of doing a movie in 3D. I think 3D would be great for the story I want to do, in a realistic, normal story, using 3D on the emotions in a kind of intimate story.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
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After many, many years, I fell out of love with politics. It’s not something I like but it’s the truth.
BERNARDO BERTOLUCCI -
You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
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If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
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The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
BERNARDO BERTOLUCCI -
A name? Oh, Jesus Christ. Ah, God, I’ve been called by a million names all my life. I don’t want a name. I’m better off with a grunt or a groan for a name.
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I left the ending ambiguous, because that is the way life is.
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I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. ‘The Dreamers’ was a total homage to cinema and that love for it.
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The most important thing of all, the thing that lasted, was the first feminist movement and the position of women in society. That completely changed and that was very, very important.
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I think that what I learned then, I didn’t know I was learning. I just knew that I was very privileged to see somebody who was a writer, a great poet, and very smart-faced. Suddenly Pasolini becomes a director, so he has to invent cinema.
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Pornography is not in the hands of the child who discovers his sexuality by masturbating, but in the heart of the adult who slaps him.
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As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
BERNARDO BERTOLUCCI -
If New York is the Big Apple, tonight Hollywood is the Big Nipple.
BERNARDO BERTOLUCCI