This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.
BERNARDO BERTOLUCCIIf New York is the Big Apple, tonight Hollywood is the Big Nipple.
More Bernardo Bertolucci Quotes
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The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
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I am still against any kind of censorship. It’s a subject in my life that has been very important.
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I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. ‘The Dreamers’ was a total homage to cinema and that love for it.
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Sometimes I think that I understand my movies after I make them. Really. I go very often off of instinct.
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A monoculture is not only Hollywood, but Americans trying to export democracy.
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I’m no longer interested in making political films. There’s something old-fashioned about them.
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I don’t see my movies. I think it’s healthier and safer to keep a bit of distance. I’m afraid to be disappointed.
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If New York is the Big Apple, tonight Hollywood is the Big Nipple.
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I left the ending ambiguous, because that is the way life is.
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As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
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A dolly move is a moral commitment.
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Having no children had been a kind of choice up to the moment when, from a choice, it became a sadness.
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You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
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The most important thing of all, the thing that lasted, was the first feminist movement and the position of women in society. That completely changed and that was very, very important.
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I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late ’50s, early ’60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism.
BERNARDO BERTOLUCCI