I think that Hollywood should also be influenced by directors from Hong Kong. You see how Quentin Tarantino is really the example of how you can develop, and how you can go ahead if you accept the existence of different cinematic cultures.
BERNARDO BERTOLUCCII’m no longer interested in making political films. There’s something old-fashioned about them.
More Bernardo Bertolucci Quotes
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There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
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I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. ‘The Dreamers’ was a total homage to cinema and that love for it.
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I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
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A name? Oh, Jesus Christ. Ah, God, I’ve been called by a million names all my life. I don’t want a name. I’m better off with a grunt or a groan for a name.
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Pornography is not in the hands of the child who discovers his sexuality by masturbating, but in the heart of the adult who slaps him.
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A monoculture is not only Hollywood, but Americans trying to export democracy.
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Every film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
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There you have Quentin playing with kung-fu. That’s why the independents are the most interesting.
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You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
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I think that what I learned then, I didn’t know I was learning. I just knew that I was very privileged to see somebody who was a writer, a great poet, and very smart-faced. Suddenly Pasolini becomes a director, so he has to invent cinema.
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New York has always embraced me.
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I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late ’50s, early ’60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism.
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Sometimes you are in sync with the times, sometimes you are in advance, sometimes you are late.
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I left the ending ambiguous, because that is the way life is.
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Having no children had been a kind of choice up to the moment when, from a choice, it became a sadness.
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