As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
BERNARDO BERTOLUCCII’m no longer interested in making political films. There’s something old-fashioned about them.
More Bernardo Bertolucci Quotes
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Every film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
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I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late ’50s, early ’60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism.
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To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
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I haven’t made a movie for a while, but I’ve watched a lot. It’s my major waste of time. I like to work, but also to be waiting for work.
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A dolly move is a moral commitment.
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I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.
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The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
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There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
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I left the ending ambiguous, because that is the way life is.
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If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
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The most important thing of all, the thing that lasted, was the first feminist movement and the position of women in society. That completely changed and that was very, very important.
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You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
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I was writing poems when I was young, you know, because my father was a poet, so it was absolutely normal to follow my father.
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The life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
BERNARDO BERTOLUCCI