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I’m no longer interested in making political films. There’s something old-fashioned about them.

Bernardo Bertolucci

I think that I used to love Hollywood movies. I remember great phases and moments. But, unfortunately, now is not the moment.
BERNARDO BERTOLUCCI

Hollywood Phases Thinking
As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
BERNARDO BERTOLUCCI

Consequences Editing Loyal Shoot Writing
I haven’t made a movie for a while, but I’ve watched a lot. It’s my major waste of time. I like to work, but also to be waiting for work.
BERNARDO BERTOLUCCI

Mademwatch Time Waiting Waste Work
If New York is the Big Apple, tonight Hollywood is the Big Nipple.
BERNARDO BERTOLUCCI

Apples Big Country Hollywood Nipple
I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late ’50s, early ’60s, the neo-realism lost its great energy and became comedy.
BERNARDO BERTOLUCCI

Cinema End Fascism Incredible Influence Kind
After many, many years, I fell out of love with politics. It’s not something I like but it’s the truth.
BERNARDO BERTOLUCCI

Love Politics Truth Years
What I was talking about was, of course, very autobiographical – ’68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future.
BERNARDO BERTOLUCCI

Autobiographical Future Important People Sleep Tomorrow
Every film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
BERNARDO BERTOLUCCI

Life Reconstruct Someone Special Stories Thinking
You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
BERNARDO BERTOLUCCI

Soccer Thinking Women
There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
BERNARDO BERTOLUCCI

Chance Digital Welcome
I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
BERNARDO BERTOLUCCI

Based Cameras Eye Imitate Two
I like to be in a huis clos, as the French say – in one place. It’s something that in general can create a bit of claustrophobia. But for me, claustrophobia becomes almost immediately claustrophilia. I love it!
BERNARDO BERTOLUCCI

Bits Claustrophobia Country Immediately Something
I don’t film messages. I let the post office take care of those.
BERNARDO BERTOLUCCI

Care Message Office
I think that what I learned then, I didn’t know I was learning. I just knew that I was very privileged to see somebody who was a writer, a great poet, and very smart-faced. Suddenly Pasolini becomes a director, so he has to invent cinema.
BERNARDO BERTOLUCCI

Character Learning Privilege Reality Thinking
Commuting in a wheelchair is not easy. I live in a very old part of Rome. These cobbles everywhere… terrible! In London, it is the same. Every pavement is uneven.
BERNARDO BERTOLUCCI

Cobbles Country Easy Everywhere Pavement
I left the ending ambiguous, because that is the way life is.
BERNARDO BERTOLUCCI

Ambiguous Ending Life Way

I’m no longer interested in making political films. There’s something old-fashioned about them.

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I’m no longer interested in making political films. There’s something old-fashioned about them.

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