I don’t see my movies. I think it’s healthier and safer to keep a bit of distance. I’m afraid to be disappointed.
BERNARDO BERTOLUCCIThere’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
More Bernardo Bertolucci Quotes
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I haven’t made a movie for a while, but I’ve watched a lot. It’s my major waste of time. I like to work, but also to be waiting for work.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution.
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Pornography is not in the hands of the child who discovers his sexuality by masturbating, but in the heart of the adult who slaps him.
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I am still against any kind of censorship. It’s a subject in my life that has been very important.
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The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
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I think that I used to love Hollywood movies. I remember great phases and moments. But, unfortunately, now is not the moment.
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What I was talking about was, of course, very autobiographical – ’68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future.
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I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late ’50s, early ’60s, the neo-realism lost its great energy and became comedy.
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You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
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I like to be in a huis clos, as the French say – in one place. It’s something that in general can create a bit of claustrophobia. But for me, claustrophobia becomes almost immediately claustrophilia. I love it!
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I was writing poems when I was young, you know, because my father was a poet, so it was absolutely normal to follow my father.
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There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
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English dialogues are always just what you need and nothing more – like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
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There you have Quentin playing with kung-fu. That’s why the independents are the most interesting.
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You live day by day. You can’t build your life.
BERNARDO BERTOLUCCI