The past exudes legend: one can’t make pure clay of time’s mud. There is no life that can be recaptured wholly; as it was.Which is to say that all biography is ultimately fiction.
BERNARD MALAMUDPrufrock had measured out his life with measuring spoons; Dubin, in books resurrecting the lives of others.
More Bernard Malamud Quotes
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There comes a time in a man’s life when to get where he has to go – if there are no doors or windows he walks through a wall.
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Without heroes, we are all plain people and don’t know how far we can go.
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The short story packs a self in a few pages predicating a lifetime
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Charity you can give even when you haven’t got.
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Nationality isn’t soul.
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One often feels helpless in the face of the confusion of these times, such a mass of apparently uncontrollable events and experiences to live through, attempt to understand.
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Children were strangers you loved because you could love. If they gave back love when they were grown you were ahead of the game.
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Where to look if you’ve lost your mind?
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All men are Jews, though few men know it.
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A writer has to surprise himself to be worth reading.
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The purpose of freedom is to create it for others.
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I work with language. I love the flowers of afterthought.
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What suffering has taught me is the uselessness of suffering.
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If the stories come, you get them written, you’re on the right track. Eventually everyone learns his or her own best way. The real mystery to crack is you.
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We have two lives, the life we learn with and the life we live with after that. Suffering is what brings us toward happiness.
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Reader, I am myself the subject of my book; you would be unreasonable to spend your leisure on so frivolous and so vain a matter.
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The past exudes legend: one can’t make pure clay of time’s mud.
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How can we be strangers if we both believe in God?
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Prufrock had measured out his life with measuring spoons; Dubin, in books resurrecting the lives of others.
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Comedy, I imagine, is harder to do consistently than tragedy, but I like it spiced in the wine of sadness.
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First drafts are for learning what your story is about.
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A man is an island in the only sense that matters, not an easy way to be. We live in mystery, a cosmos of separate lonely bodies, men, insects, stars. It is all loneliness and men know it best.
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We can’t all be friends and relatives as the world is; most of us have to be strangers.
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Writers who can’t invent stories often substitute style for narrative. They remind me of the painter who couldn’t paint people, so he painted chairs.
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I am somewhat of a meliorist. That is to say, I act as an optimist because I find I cannot act at all, as a pessimist.
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To any writer: Teach yourself to work in uncertainty. Many writers are anxious when they begin, or try something new.
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