If a medium is representational by nature of the realistic image formed by a lens, I see no reason why we should stand on our heads to distort that function. On the contrary, we should take hold of that very quality, make use of it, and explore it to the fullest.
BERENICE ABBOTTImagine a world without photography, one could only imagine.
More Berenice Abbott Quotes
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Photography doesn’t teach you to express your emotions; it teaches you how to see.
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Furthermore, a good photographer does not merely document, he probes the subject, he ‘uncovers’ it.
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Self-conscious artiness is fatal, but it certainly would not hurt to study composition in general. Having a basic understanding of composition would help construct a better organized image.
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To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it.
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What to me is anathema – a corpse-like, outmoded hangover – is for photography to be a bad excuse for another medium. … Is not photography good enough in itself, that it must be made to look like something else, supposedly superior?
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Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times-the pulse of today.
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The photographer creates, evolves a better, a more selective, more acute seeing eye by looking ever more sharply at what is going on in the world.
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I believe there is no more creative medium than photography to recreate the living world of our time. Photography gladly accepts the challenge because it is at home in its element: namely, realism – real life – the now.
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The second challenge has been to impose order onto the things seen and to supply the visual context and the intellectual framework – that to me is the art of photography.
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I have yet to see a fine photograph which is not a good document.
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The photographer is the contemporary being par excellence; through his eyes the now becomes the past.
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You scientists are the worst photographers in the world and you need the best photographers in the world and I’m the one to do it.
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Suppose we took a thousand negatives… combining the elegances, the squalor, the curiosities, the monuments, the sad faces, the triumphant faces, the power, the irony, the strength, the decay, the past, the present, the future of a city – that would be my favorite picture.
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I wanted to combine science and photography in a sensible, unemotional way. Some people’s ideas of scientific photography is just arty design, something pretty. That was not the idea.
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The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens’ vision are esthetically often a virtue.
BERENICE ABBOTT