I’m not a nice girl; I’m a photographer. (On being told by a Federal Art Project official, after she photographed the Bowery, that a nice girl should not go into such neighborhoods )
BERENICE ABBOTTImagine a world without photography, one could only imagine.
More Berenice Abbott Quotes
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I am so fascinated with this century it will help keep me alive. I’ll be there until the last minute, fighting.
BERENICE ABBOTT -
I have yet to see a fine photograph which is not a good document.
BERENICE ABBOTT -
The camera is no more an instrument of preservation, the image is.
BERENICE ABBOTT -
To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world.
BERENICE ABBOTT -
Some people are still unaware that reality contains unparalleled beauties. The fantastic and unexpected, the ever-changing and renewing is nowhere so exemplified as in real life itself.
BERENICE ABBOTT -
Does not the very word ‘creative’ mean to build, to initiate, to give out, to act – rather than to be acted upon, to be subjective? Living photography is positive in its approach, it sings a song of life – not death.
BERENICE ABBOTT -
The photographer is the contemporary being par excellence; through his eyes the now becomes the past.
BERENICE ABBOTT -
I agree that all good photographs are documents, but I also know that all documents are certainly not good photographs.
BERENICE ABBOTT -
The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.
BERENICE ABBOTT -
Let us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality.
BERENICE ABBOTT -
I didn’t decide to be a photographer; I just happened to fall into it.
BERENICE ABBOTT -
The second challenge has been to impose order onto the things seen and to supply the visual context and the intellectual framework – that to me is the art of photography.
BERENICE ABBOTT -
If a medium is representational by nature of the realistic image formed by a lens, I see no reason why we should stand on our heads to distort that function. On the contrary, we should take hold of that very quality, make use of it, and explore it to the fullest.
BERENICE ABBOTT -
None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.
BERENICE ABBOTT -
Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times – the pulse of today.
BERENICE ABBOTT