To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it.
BERENICE ABBOTTTo chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it.
BERENICE ABBOTTThe art is in selecting what is worthwhile to take the trouble about.
BERENICE ABBOTTPhotography was the medium preeminently qualified to unite art with science. Photography was born in the years which ushered in the scientific age, an offspring of both science and art.
BERENICE ABBOTTI think the important decision for a photographer is to choose a subject that intensely interests him or her.
BERENICE ABBOTTThe idea was to interpret science sensibly, with good proportion, good balance and good lighting, so we could understand it.
BERENICE ABBOTTI agree that all good photographs are documents, but I also know that all documents are certainly not good photographs.
BERENICE ABBOTTActually, documentary pictures include every subject in the world – good, bad, indifferent. I have yet to see a fine photograph which is not a good document.
BERENICE ABBOTTThe photographer is the contemporary being par excellence; through his eyes the now becomes the past.
BERENICE ABBOTTI didn’t decide to be a photographer; I just happened to fall into it.
BERENICE ABBOTTPhotography can only represent the present. Once photographed, the subject becomes part of the past.
BERENICE ABBOTTImagine a world without photography, one could only imagine.
BERENICE ABBOTTI haven’t seen too many images that have impressed me!
BERENICE ABBOTTThe photograph may be presented as finely and artistically as you will; but to merit serious consideration, must be directly connected with the world we live in.
BERENICE ABBOTTWhat we need of equipment is this: let it possess as good a structure as the real-life content that surrounds us. We need more simplifications to free us for seeing.
BERENICE ABBOTTSuppose we took a thousand negatives… combining the elegances, the squalor, the curiosities, the monuments, the sad faces, the triumphant faces, the power, the irony, the strength, the decay, the past, the present, the future of a city – that would be my favorite picture.
BERENICE ABBOTTThe camera is no more an instrument of preservation, the image is.
BERENICE ABBOTT