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The more you do, the more you realize there is to do, what a vast object the metropolis is, and how the work of photographing could go on forever.

Berenice Abbott

Today we are confronted with reality on the vastest scale mankind has known and this puts a greater responsibility on the photographer.
BERENICE ABBOTT

Reality Responsibility Today
There are many teachers who could ruin you. Before you know it you could be a pale copy of this teacher or that teacher. You have to evolve on your own.
BERENICE ABBOTT

Inspirational Photography Ruin Teacher
The more you do, the more you realize there is to do, what a vast object the metropolis is, and how the work of photographing could go on forever.
BERENICE ABBOTT

Forever Goes Photography Realizing
The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.
BERENICE ABBOTT

Connected Live Photograph Serious
I’m not a nice girl; I’m a photographer. (On being told by a Federal Art Project official, after she photographed the Bowery, that a nice girl should not go into such neighborhoods )
BERENICE ABBOTT

Art Bowery Girl Nice Photography
Some people are still unaware that reality contains unparalleled beauties. The fantastic and unexpected, the ever-changing and renewing is nowhere so exemplified as in real life itself.
BERENICE ABBOTT

Optimism People Photography Real
I think the important decision for a photographer is to choose a subject that intensely interests him or her.
BERENICE ABBOTT

Decision Important Photography Thinking
Photography is not only drawing with light, though light is the indispensable agent of its being. It is modeling or sculpturing with light, to reproduce the plastic form of natural objects. It is painting with light.
BERENICE ABBOTT

Drawing Light Photography
I agree that all good photographs are documents, but I also know that all documents are certainly not good photographs.
BERENICE ABBOTT

Agree Certainty Document Photographer
I wanted to combine science and photography in a sensible, unemotional way. Some people’s ideas of scientific photography is just arty design, something pretty. That was not the idea.
BERENICE ABBOTT

Ideas People Photography
None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.
BERENICE ABBOTT

Cameras Talking Themselves Way
Photography can only represent the present. Once photographed, the subject becomes part of the past.
BERENICE ABBOTT

Past Photographer Photography
Photography can never grow up if it imitates some other medium. It has to walk alone; it has to be itself.
BERENICE ABBOTT

Growing Photography Walks
If a medium is representational by nature of the realistic image formed by a lens, I see no reason why we should stand on our heads to distort that function. On the contrary, we should take hold of that very quality, make use of it, and explore it to the fullest.
BERENICE ABBOTT

Lenses Photography Quality Use
The photographer is the contemporary being par excellence; through his eyes the now becomes the past.
BERENICE ABBOTT

Excellence Eye Past Photography
The art is in selecting what is worthwhile to take the trouble about.
BERENICE ABBOTT

Art Photographer Trouble

The more you do, the more you realize there is to do, what a vast object the metropolis is, and how the work of photographing could go on forever.

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The more you do, the more you realize there is to do, what a vast object the metropolis is, and how the work of photographing could go on forever.

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