What we need of equipment is this: let it possess as good a structure as the real-life content that surrounds us. We need more simplifications to free us for seeing.
BERENICE ABBOTTThe more you do, the more you realize there is to do, what a vast object the metropolis is, and how the work of photographing could go on forever.
More Berenice Abbott Quotes
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Photography is not only drawing with light, though light is the indispensable agent of its being. It is modeling or sculpturing with light, to reproduce the plastic form of natural objects. It is painting with light.
BERENICE ABBOTT -
Suppose we took a thousand negatives… combining the elegances, the squalor, the curiosities, the monuments, the sad faces, the triumphant faces, the power, the irony, the strength, the decay, the past, the present, the future of a city – that would be my favorite picture.
BERENICE ABBOTT -
What the human eye observes casually and incuriously, the eye of the camera (the lens) notes with relentless fidelity.
BERENICE ABBOTT -
What to me is anathema – a corpse-like, outmoded hangover – is for photography to be a bad excuse for another medium. … Is not photography good enough in itself, that it must be made to look like something else, supposedly superior?
BERENICE ABBOTT -
I’m not a nice girl; I’m a photographer. (On being told by a Federal Art Project official, after she photographed the Bowery, that a nice girl should not go into such neighborhoods )
BERENICE ABBOTT -
To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world.
BERENICE ABBOTT -
The art is in selecting what is worthwhile to take the trouble about.
BERENICE ABBOTT -
Imagine a world without photography, one could only imagine.
BERENICE ABBOTT -
The photographer is the contemporary being par excellence; through his eyes the now becomes the past.
BERENICE ABBOTT -
I think the important decision for a photographer is to choose a subject that intensely interests him or her.
BERENICE ABBOTT -
Let us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality.
BERENICE ABBOTT -
Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times – the pulse of today.
BERENICE ABBOTT -
There are many teachers who could ruin you. Before you know it you could be a pale copy of this teacher or that teacher. You have to evolve on your own.
BERENICE ABBOTT -
I am so fascinated with this century it will help keep me alive. I’ll be there until the last minute, fighting.
BERENICE ABBOTT -
Does not the very word ‘creative’ mean to build, to initiate, to give out, to act – rather than to be acted upon, to be subjective? Living photography is positive in its approach, it sings a song of life – not death.
BERENICE ABBOTT