To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world.
BERENICE ABBOTTPhotography can never grow up if it imitates some other medium. It has to walk alone; it has to be itself.
More Berenice Abbott Quotes
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Let us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality.
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What we need of equipment is this: let it possess as good a structure as the real-life content that surrounds us. We need more simplifications to free us for seeing.
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The second challenge has been to impose order onto the things seen and to supply the visual context and the intellectual framework – that to me is the art of photography.
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The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens’ vision are esthetically often a virtue.
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I agree that all good photographs are documents, but I also know that all documents are certainly not good photographs.
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I am so fascinated with this century it will help keep me alive. I’ll be there until the last minute, fighting.
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Photography is not only drawing with light, though light is the indispensable agent of its being. It is modeling or sculpturing with light, to reproduce the plastic form of natural objects. It is painting with light.
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The idea was to interpret science sensibly, with good proportion, good balance and good lighting, so we could understand it.
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There are many teachers who could ruin you. Before you know it you could be a pale copy of this teacher or that teacher. You have to evolve on your own.
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It is or should be a significant document, a penetrating statement, which can be described in a very simple term-selectivity.
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Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times-the pulse of today.
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Actually, documentary pictures include every subject in the world – good, bad, indifferent. I have yet to see a fine photograph which is not a good document.
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Today we are confronted with reality on the vastest scale mankind has known and this puts a greater responsibility on the photographer.
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I wanted to combine science and photography in a sensible, unemotional way. Some people’s ideas of scientific photography is just arty design, something pretty. That was not the idea.
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Self-conscious artiness is fatal, but it certainly would not hurt to study composition in general. Having a basic understanding of composition would help construct a better organized image.
BERENICE ABBOTT