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Photography doesn’t teach you to express your emotions; it teaches you how to see.

Berenice Abbott

I’m not a nice girl; I’m a photographer. (On being told by a Federal Art Project official, after she photographed the Bowery, that a nice girl should not go into such neighborhoods )
BERENICE ABBOTT

Art Bowery Girl Nice Photography
I have yet to see a fine photograph which is not a good document.
BERENICE ABBOTT

Document Fine Photograph
Furthermore, a good photographer does not merely document, he probes the subject, he ‘uncovers’ it.
BERENICE ABBOTT

Documents Good Photographer Probe Subject Uncover
None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.
BERENICE ABBOTT

Cameras Talking Themselves Way
Some people are still unaware that reality contains unparalleled beauties. The fantastic and unexpected, the ever-changing and renewing is nowhere so exemplified as in real life itself.
BERENICE ABBOTT

Optimism People Photography Real
Actually, documentary pictures include every subject in the world – good, bad, indifferent. I have yet to see a fine photograph which is not a good document.
BERENICE ABBOTT

Documentary Photographer World
The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens’ vision are esthetically often a virtue.
BERENICE ABBOTT

Photography Space Vision
I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject is the voltage which pushes me over the mountain of drudgery necessary to produce the final photograph.
BERENICE ABBOTT

Duck Photography Water
It is or should be a significant document, a penetrating statement, which can be described in a very simple term-selectivity.
BERENICE ABBOTT

Penetrate Photography Selectivity Simple Term
If a medium is representational by nature of the realistic image formed by a lens, I see no reason why we should stand on our heads to distort that function. On the contrary, we should take hold of that very quality, make use of it, and explore it to the fullest.
BERENICE ABBOTT

Lenses Photography Quality Use
Photography was the medium preeminently qualified to unite art with science. Photography was born in the years which ushered in the scientific age, an offspring of both science and art.
BERENICE ABBOTT

Art Photography Qualified Years
The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.
BERENICE ABBOTT

Connected Live Photograph Serious
I think the important decision for a photographer is to choose a subject that intensely interests him or her.
BERENICE ABBOTT

Decision Important Photography Thinking
Today we are confronted with reality on the vastest scale mankind has known and this puts a greater responsibility on the photographer.
BERENICE ABBOTT

Reality Responsibility Today
To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it.
BERENICE ABBOTT

Eye Philosophy Reality
The more you do, the more you realize there is to do, what a vast object the metropolis is, and how the work of photographing could go on forever.
BERENICE ABBOTT

Forever Goes Photography Realizing

Photography doesn’t teach you to express your emotions; it teaches you how to see.

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Photography doesn’t teach you to express your emotions; it teaches you how to see.

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