None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.
BERENICE ABBOTTPhotography doesn’t teach you to express your emotions; it teaches you how to see.
More Berenice Abbott Quotes
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Actually, documentary pictures include every subject in the world – good, bad, indifferent. I have yet to see a fine photograph which is not a good document.
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The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens’ vision are esthetically often a virtue.
BERENICE ABBOTT -
I wanted to combine science and photography in a sensible, unemotional way. Some people’s ideas of scientific photography is just arty design, something pretty. That was not the idea.
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Let us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality.
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Self-conscious artiness is fatal, but it certainly would not hurt to study composition in general. Having a basic understanding of composition would help construct a better organized image.
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What to me is anathema – a corpse-like, outmoded hangover – is for photography to be a bad excuse for another medium. … Is not photography good enough in itself, that it must be made to look like something else, supposedly superior?
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Today we are confronted with reality on the vastest scale mankind has known and this puts a greater responsibility on the photographer.
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It is or should be a significant document, a penetrating statement, which can be described in a very simple term-selectivity.
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Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times – the pulse of today.
BERENICE ABBOTT -
Furthermore, a good photographer does not merely document, he probes the subject, he ‘uncovers’ it.
BERENICE ABBOTT -
What we need of equipment is this: let it possess as good a structure as the real-life content that surrounds us. We need more simplifications to free us for seeing.
BERENICE ABBOTT -
The camera is no more an instrument of preservation, the image is.
BERENICE ABBOTT -
To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it.
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I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject is the voltage which pushes me over the mountain of drudgery necessary to produce the final photograph.
BERENICE ABBOTT -
Imagine a world without photography, one could only imagine.
BERENICE ABBOTT