Photography doesn’t teach you to express your emotions; it teaches you how to see.
BERENICE ABBOTTI am so fascinated with this century it will help keep me alive. I’ll be there until the last minute, fighting.
More Berenice Abbott Quotes
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Self-conscious artiness is fatal, but it certainly would not hurt to study composition in general. Having a basic understanding of composition would help construct a better organized image.
BERENICE ABBOTT -
Imagine a world without photography, one could only imagine.
BERENICE ABBOTT -
What we need of equipment is this: let it possess as good a structure as the real-life content that surrounds us. We need more simplifications to free us for seeing.
BERENICE ABBOTT -
I am so fascinated with this century it will help keep me alive. I’ll be there until the last minute, fighting.
BERENICE ABBOTT -
What the human eye observes casually and incuriously, the eye of the camera (the lens) notes with relentless fidelity.
BERENICE ABBOTT -
Actually, documentary pictures include every subject in the world – good, bad, indifferent. I have yet to see a fine photograph which is not a good document.
BERENICE ABBOTT -
The second challenge has been to impose order onto the things seen and to supply the visual context and the intellectual framework – that to me is the art of photography.
BERENICE ABBOTT -
You scientists are the worst photographers in the world and you need the best photographers in the world and I’m the one to do it.
BERENICE ABBOTT -
The photographer is the contemporary being par excellence; through his eyes the now becomes the past.
BERENICE ABBOTT -
I agree that all good photographs are documents, but I also know that all documents are certainly not good photographs.
BERENICE ABBOTT -
Let us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality.
BERENICE ABBOTT -
Some people are still unaware that reality contains unparalleled beauties. The fantastic and unexpected, the ever-changing and renewing is nowhere so exemplified as in real life itself.
BERENICE ABBOTT -
I think the important decision for a photographer is to choose a subject that intensely interests him or her.
BERENICE ABBOTT -
The camera is no more an instrument of preservation, the image is.
BERENICE ABBOTT -
I’m not a nice girl; I’m a photographer. (On being told by a Federal Art Project official, after she photographed the Bowery, that a nice girl should not go into such neighborhoods )
BERENICE ABBOTT