Actually, documentary pictures include every subject in the world – good, bad, indifferent. I have yet to see a fine photograph which is not a good document.
BERENICE ABBOTTWhat to me is anathema – a corpse-like, outmoded hangover – is for photography to be a bad excuse for another medium. … Is not photography good enough in itself, that it must be made to look like something else, supposedly superior?
More Berenice Abbott Quotes
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I believe there is no more creative medium than photography to recreate the living world of our time. Photography gladly accepts the challenge because it is at home in its element: namely, realism – real life – the now.
BERENICE ABBOTT -
Abstraction in photography is ridiculous, and is only an imitation of painting. We stopped imitating painters a hundred years ago, so to imitate them in this day and age is laughable.
BERENICE ABBOTT -
Photography is not only drawing with light, though light is the indispensable agent of its being. It is modeling or sculpturing with light, to reproduce the plastic form of natural objects. It is painting with light.
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Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times-the pulse of today.
BERENICE ABBOTT -
I’m not a nice girl; I’m a photographer. (On being told by a Federal Art Project official, after she photographed the Bowery, that a nice girl should not go into such neighborhoods )
BERENICE ABBOTT -
The photographer creates, evolves a better, a more selective, more acute seeing eye by looking ever more sharply at what is going on in the world.
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I haven’t seen too many images that have impressed me!
BERENICE ABBOTT -
I think the important decision for a photographer is to choose a subject that intensely interests him or her.
BERENICE ABBOTT -
Self-conscious artiness is fatal, but it certainly would not hurt to study composition in general. Having a basic understanding of composition would help construct a better organized image.
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Suppose we took a thousand negatives… combining the elegances, the squalor, the curiosities, the monuments, the sad faces, the triumphant faces, the power, the irony, the strength, the decay, the past, the present, the future of a city – that would be my favorite picture.
BERENICE ABBOTT -
You scientists are the worst photographers in the world and you need the best photographers in the world and I’m the one to do it.
BERENICE ABBOTT -
Let us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality.
BERENICE ABBOTT -
Today we are confronted with reality on the vastest scale mankind has known and this puts a greater responsibility on the photographer.
BERENICE ABBOTT -
Photography can never grow up if it imitates some other medium. It has to walk alone; it has to be itself.
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The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.
BERENICE ABBOTT