Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times-the pulse of today.
BERENICE ABBOTTI have yet to see a fine photograph which is not a good document.
More Berenice Abbott Quotes
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I am so fascinated with this century it will help keep me alive. I’ll be there until the last minute, fighting.
BERENICE ABBOTT -
The photographer is the contemporary being par excellence; through his eyes the now becomes the past.
BERENICE ABBOTT -
Actually, documentary pictures include every subject in the world – good, bad, indifferent. I have yet to see a fine photograph which is not a good document.
BERENICE ABBOTT -
I have yet to see a fine photograph which is not a good document.
BERENICE ABBOTT -
The photographer creates, evolves a better, a more selective, more acute seeing eye by looking ever more sharply at what is going on in the world.
BERENICE ABBOTT -
Photography is not only drawing with light, though light is the indispensable agent of its being. It is modeling or sculpturing with light, to reproduce the plastic form of natural objects. It is painting with light.
BERENICE ABBOTT -
Self-conscious artiness is fatal, but it certainly would not hurt to study composition in general. Having a basic understanding of composition would help construct a better organized image.
BERENICE ABBOTT -
The idea was to interpret science sensibly, with good proportion, good balance and good lighting, so we could understand it.
BERENICE ABBOTT -
The photograph may be presented as finely and artistically as you will; but to merit serious consideration, must be directly connected with the world we live in.
BERENICE ABBOTT -
I agree that all good photographs are documents, but I also know that all documents are certainly not good photographs.
BERENICE ABBOTT -
The more you do, the more you realize there is to do, what a vast object the metropolis is, and how the work of photographing could go on forever.
BERENICE ABBOTT -
What the human eye observes casually and incuriously, the eye of the camera (the lens) notes with relentless fidelity.
BERENICE ABBOTT -
To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world.
BERENICE ABBOTT -
The art is in selecting what is worthwhile to take the trouble about.
BERENICE ABBOTT -
I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject is the voltage which pushes me over the mountain of drudgery necessary to produce the final photograph.
BERENICE ABBOTT