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I have yet to see a fine photograph which is not a good document.

Berenice Abbott

To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world.
BERENICE ABBOTT

Mean Philosophy Photography
What we need of equipment is this: let it possess as good a structure as the real-life content that surrounds us. We need more simplifications to free us for seeing.
BERENICE ABBOTT

Needs Photography Real Structure
The photographer is the contemporary being par excellence; through his eyes the now becomes the past.
BERENICE ABBOTT

Excellence Eye Past Photography
I believe there is no more creative medium than photography to recreate the living world of our time. Photography gladly accepts the challenge because it is at home in its element: namely, realism – real life – the now.
BERENICE ABBOTT

Believe Photography Real
The photographer creates, evolves a better, a more selective, more acute seeing eye by looking ever more sharply at what is going on in the world.
BERENICE ABBOTT

Accurate More Photographer Seeing Sharpy
It is or should be a significant document, a penetrating statement, which can be described in a very simple term-selectivity.
BERENICE ABBOTT

Penetrate Photography Selectivity Simple Term
Photography can only represent the present. Once photographed, the subject becomes part of the past.
BERENICE ABBOTT

Past Photographer Photography
Today we are confronted with reality on the vastest scale mankind has known and this puts a greater responsibility on the photographer.
BERENICE ABBOTT

Reality Responsibility Today
The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.
BERENICE ABBOTT

Connected Live Photograph Serious
What the human eye observes casually and incuriously, the eye of the camera (the lens) notes with relentless fidelity.
BERENICE ABBOTT

Cameras Eye Photographer
I’m not a nice girl; I’m a photographer. (On being told by a Federal Art Project official, after she photographed the Bowery, that a nice girl should not go into such neighborhoods )
BERENICE ABBOTT

Art Bowery Girl Nice Photography
The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens’ vision are esthetically often a virtue.
BERENICE ABBOTT

Photography Space Vision
Self-conscious artiness is fatal, but it certainly would not hurt to study composition in general. Having a basic understanding of composition would help construct a better organized image.
BERENICE ABBOTT

Hurt Self Understanding
To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it.
BERENICE ABBOTT

Eye Philosophy Reality
Some people are still unaware that reality contains unparalleled beauties. The fantastic and unexpected, the ever-changing and renewing is nowhere so exemplified as in real life itself.
BERENICE ABBOTT

Optimism People Photography Real
Imagine a world without photography, one could only imagine.
BERENICE ABBOTT

Photographer Photography World

I have yet to see a fine photograph which is not a good document.

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I have yet to see a fine photograph which is not a good document.

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