Horror writers can write about everything in the real world that a mainstream novelist can–plus the supernatural, which is the most fertile field for metaphor imaginable.
BENTLEY LITTLENames have power. In certain cultures, just speaking a man’s name gives you mastery over him.
More Bentley Little Quotes
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I write horror. And if no one wants to buy my books, I’ll just keep writing them until they do sell–and get a job at Taco Bell in the meantime.
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Life is short. Eternity is long.
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It helps readers identify with their problems. It also helps ground the supernatural events that follow in a recognizable reality and perhaps gives some of my wilder scenarios a little verisimilitude.
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I know that I, personally, lost respect for writers who, when there was a downturn in the market, started shouting from the rooftops that they wrote thrillers and suspense novels rather than horror.
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I always thought the appeal for vampires are the same as religion, the desire to avoid death and live forever.
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As far as I’m concerned, those wussboys should sever all ties with the horror community if that’s the way they feel and get out of the way so real horror writers can do their work.
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Most people are middle class. Most people do wish their lives were better than they are. And I think by making my main characters ordinary, average guys.
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In real life, good people die all the time and a**holes can live long and happy lives. It’s a crapshoot.
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I think the internet is a great marketing tool–but marketing is not my job. I’m a writer. My job is to write novels.
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Hell, look at the Bible: gods, devils, ghosts, witches, giants, resurrections. That’s one big horror story. And it’s the most popular book on the planet.
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I write what I want to write. Period. I don’t write novels-for-hire using media tie-in characters, I don’t write suspense novels or thrillers.
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I think readers appreciate those of us who stay in the trenches and fight the good fight even when times get tough.
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Two years later I finally sold it. For a whopping $4,000. A year after that, it finally came out. Which explains why there are all those terrible jobs on my resume!
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The Revelation was my master’s project, and after I finished it, I thought I’d send it off to a publisher and within a year or so be a rich and famous writer.
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Real life was messier than fiction, and in it you didn’t always have time to do or say the right things.
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