“Two years later I finally sold it. For a whopping $4,000. A year after that, it finally came out. Which explains why there are all those terrible jobs on my resume!”

I know that I, personally, lost respect for writers who, when there was a downturn in the market, started shouting from the rooftops that they wrote thrillers and suspense novels rather than horror.

Like most authors, I’m a raging egomaniac. I know that about myself. And I know that, if I had internet access,

Hope was a dangerous emotion that more often than not led men into foolishness and peril, made them risk their lives and lose their wives and part with fortunes that they never recovered.

Life is short. Eternity is long.

I would waste countless hours looking up things about myself, writing fake posts about how great I am and arguing with people who don’t like my work. It saves me a lot of time and frustration to just stay out of the loop.

Real life was messier than fiction, and in it you didn’t always have time to do or say the right things.

I write horror because I enjoy it. I’m endlessly fascinated by the supernatural, by death, by darkness. And, to be honest, I don’t have much choice. This is the way my mind works.

Horror writers can write about everything in the real world that a mainstream novelist can–plus the supernatural, which is the most fertile field for metaphor imaginable.

I think the internet is a great marketing tool–but marketing is not my job. I’m a writer. My job is to write novels.

The Revelation was my master’s project, and after I finished it, I thought I’d send it off to a publisher and within a year or so be a rich and famous writer.

In real life, good people die all the time and a**holes can live long and happy lives. It’s a crapshoot.

Murder is an inherently evil act, no matter what the circumstances, no matter how convincing the rationalizations.

I write horror. And if no one wants to buy my books, I’ll just keep writing them until they do sell–and get a job at Taco Bell in the meantime.

It helps readers identify with their problems. It also helps ground the supernatural events that follow in a recognizable reality and perhaps gives some of my wilder scenarios a little verisimilitude.

As far as I’m concerned, those wussboys should sever all ties with the horror community if that’s the way they feel and get out of the way so real horror writers can do their work.

I write what I want to write. Period. I don’t write novels-for-hire using media tie-in characters, I don’t write suspense novels or thrillers.

And then when they finally do get aboard, it’s the last place they want to be. It’s harrowing. That is the horrible irony of a refugee’s life.

Finally, the scariest thing about abuse of any shape or form, is, in my opinion, not the abuse itself, but that if it continues it can begin to feel commonplace and eventually acceptable.

Work finally begins when the fear of doing nothing exceeds the fear of doing it badly.

You want to finally come to a point where you say that the women you’re with is also your friend.

Waiting around and doing these lines over and over and finally having to go in and loop the lines and dub them.

Finally a breath of fresh words founded in hardcore, intelligent research.

I have finally become a husband and I am genuinely enjoying every moment of it.

When nature finally calls, they have no idea where to go and are in a mess.