If it doesn’t feel like a job and I’m learning something and getting that rush that I get, I don’t care if it’s behind a camera, on a TV set, or on the moon.
The vampire craze is kind of fascinating. We’re interested in the idea of immorality and I think we’re drawn to people or creatures who can give in to those base impulses and just be bad and not feel bad about it.
The place I feel most at home is when I have health insurance. I really don’t care how I get it, whether it’s on film, or television or waiting tables, you know?
I thought I was going to be a ballet dancer for awhile there. I had a good teacher at Interlochen, this arts’ academy in Michigan, who taught me the importance of storytelling, and I really responded to that. It seemed like a long shot, but I always play the long odds.
Maybe I’m naive, but I subscribe to the idea that nobody is actually making strategic decisions about their career. Trying to do that would be like playing three-card monte on Canal Street.
People are still people, and they make their decisions based on their life experiences and their beliefs. You really can’t divorce the two. It’s important to fight against stereotypes and oversimplifications in very complex people.
