“The vampire craze is kind of fascinating. We’re interested in the idea of immorality and I think we’re drawn to people or creatures who can give in to those base impulses and just be bad and not feel bad about it.”

I went to Julliard and we did a lot of mask work there, and I remember thinking in class, ‘When am I ever going to use this?

Maybe I’m naive, but I subscribe to the idea that nobody is actually making strategic decisions about their career. Trying to do that would be like playing three-card monte on Canal Street.

I’d consider myself a flailing comedy writer.

I only play projects with weird interpretations of presidents.

You learn history in school, and you have a reverential feeling toward it. But by being irreverent, it feels current.

I thought I was going to be a ballet dancer for awhile there. I had a good teacher at Interlochen, this arts’ academy in Michigan, who taught me the importance of storytelling, and I really responded to that. It seemed like a long shot, but I always play the long odds.

Every job is an opportunity to be a better person.

I’m just looking for things to steal [on working with great actors]. It’s like going back to acting school. When you’re around people that do it well and you get your head out of your ass, you can really learn something.

You never can take for granted that you have a job.

You never know when you’ll have a bad idea for a worse joke.

People are still people, and they make their decisions based on their life experiences and their beliefs. You really can’t divorce the two. It’s important to fight against stereotypes and oversimplifications in very complex people.

Even the greatest actors have had dry spells where they’ve wondered if they were going to work again.

You think of George Washington, this man who was larger than life, and in some ways he was. But at the same time, he’s just a person.

Don’t trust somebody that don’t have a troubled period.

The place I feel most at home is when I have health insurance. I really don’t care how I get it, whether it’s on film, or television or waiting tables, you know?

You know, 1% of us is in the armed forces, protecting the other 99, and they’re all volunteers.

The idea of prosthetics is a tool. Most people’s cell phones are prosthetics. If you leave your cell phone at home.

When someone tells you, ‘I love you,’ and then you feel, ‘Oh, I must be worthy after all,’ that’s an illusion. That’s not true. Or someone says, ‘I hate you,’ and you think, ‘Oh, God, I knew it; I’m not very worthy,’ that’s not true either.

The ocean is such a huge, beautiful thing that I feel like we all take for granted.

If you watch any John Hughes film of the eighties, that was my childhood experience.

As someone who knows her mind and who I envy for that. As someone who is strong in herself without seeming to need anyone else to help her. As someone who makes me thinks and unsettles me in a way that makes me feel more alive.

When we’re in our true being, the purpose of life is to feel that every moment is the purpose.

How to become a really modern society when today we are so – as a human being, we feel so powerful. We have high technology and a superb way of controlling our life. And at the same time, in many ways we are so primitive.

When human beings are scared and feel everything is exposed to the government, we will censor ourselves from free thinking. That’s dangerous for human development.