I don’t devalue comedy as compared to drama. Not one bit.
BEN STILLERI have a lot of nervous energy. Work is my best way of channelling that into something productive unless I want to wind up assaulting the postman or gardener.
More Ben Stiller Quotes
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I have a lot of nervous energy. Work is my best way of channelling that into something productive unless I want to wind up assaulting the postman or gardener.
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I’m just not a naturally cheery person. I’m naturally moody. I know that from people who spend a lot of time with me. People who spend a lot of time with me may not wish to spend a lot more time with me.
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As a kid I had dreams about being successful, thinking it would be cool. Then, when I was in my 20s, I really thought I had it much more figured out than I do now.
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It’s what I wanted to do with my life. Not necessarily just direct Jim Carrey movies, but to direct and act and write and create and along the way discover what it is that I’m about.
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When I was growing up, This is Spinal Tap [1984] was the ultimate comedy, and it was the kind of thing I wanted to do. But you get to a point with parody where you can’t go much further because ultimately it’s feeding off of somebody else’s creativity.
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I actually started working on Madagascar before my daughter was born.
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I was staying on [writer/director/actor] Eric Schaeffer’s couch in New York, and he said, “I’ve got this movie [If Lucy Fell]. Can you do five days on it?”
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When I didn’t have a family, I was much more of a workaholic. I still like to work, but I also want to be home with them. As you get older, you realize you need balance. If it’s not fun, what’s the point?
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I don’t even want to think of myself as an actor because it’s such an insecure place to go.
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I don’t think the public is dying to see me necessarily be funny all the time.
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If you look at my eyes when I’m dancing, you’ll see that glazed look.
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I’m pretty sure there’s a lot more to life than being really, really, ridiculously good looking. And I plan on finding out what that is.
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And I was like, “Yeah, anything. Twenty-four hours times five is 120 hours. Oh, great, I’ll fill 120 hours of my life with something.” So I did that and it was fun, and then I did Flirting with Disaster.
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I love New York. I was sad, depressed and incredibly moved by our fellow countrymen and what they’ve done. I wanted to give people a chance to see something funny, have a distraction.
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I had two projects that fell apart during preproduction. The first one was this movie that Judd Apatow and I had written about two guys following the Rolling Stones. It was going to be half concert film, half pseudo-documentary.
BEN STILLER