Now, my knowledge of photography was terribly limited.
BEN SHAHNWe tried to present the ordinary in an extraordinary manner. But that’s the paradox because the only thing extraordinary about it was that it was so ordinary.
More Ben Shahn Quotes
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I confess that Roy [Stryker] was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn’t understand at the time.
BEN SHAHN -
I believe that if it were left to artists to choose their own labels, most would choose none.
BEN SHAHN -
To abstract is to draw out the essence of a matter.
BEN SHAHN -
I was primarily interested in people, and people in action, so that I did nothing photographically in the sense of doing buildings for their own sake or a still life or anything like that.
BEN SHAHN -
I was brought in, not in the photographic department at all, I was brought in on a thing called Special Skills. I was to do posters, pamphlets, murals, propaganda in general, you know.
BEN SHAHN -
I love chaos…. It’s the poetic element in a dull and ordered world.
BEN SHAHN -
It is the mission of art to remind man from time to time that he is human, and the time is ripe, just now, today, for such a reminder.
BEN SHAHN -
If you’re going to be an artist, all life is your subject. And all your experience is part of your art.
BEN SHAHN -
How do you paint yellow wheat against a yellow sky? You paint it jet black.
BEN SHAHN -
We tried to present the ordinary in an extraordinary manner. But that’s the paradox because the only thing extraordinary about it was that it was so ordinary.
BEN SHAHN -
Of course I realize that photography is not the technical facility as much as it is the eye, and this decision that one makes for the moment at which you are going to snap, you know.
BEN SHAHN -
It is an intimately communicative affair between the painter and his painting, a conversation back and forth, the painting telling the painter even as it receives its shape and form.
BEN SHAHN -
The moving toward one’s inner self is a long pilgrimage for a painter. It offers many temporary successes and high points, but impels him on toward the more adequate image.
BEN SHAHN -
Art almost always has its ingredient of impudence, its flouting of established authority, so that it may substitute its own authority and its own enlightenment.
BEN SHAHN -
Paint what you are, paint what you believe, paint what you feel.
BEN SHAHN