Art almost always has its ingredient of impudence, its flouting of established authority, so that it may substitute its own authority and its own enlightenment.
BEN SHAHNPersonal style, be it that of Michelangelo, or that of Tintoretto… has always been that peculiar personal rapport which has developed between an artist and his medium.
More Ben Shahn Quotes
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If one has set for himself the position that his painting shall not misconstrue his personal mode of thinking, then he must be rather alert to just what he does think.
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The popular eye is not untrained; it is only wrongly trained – trained by inferior and insincere visual representations.
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The apprehension of… values is intuitive; but it is not a built-in intuition, not something with which one is born. Intuition in art is actually the result of… prolonged tuition.
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It is the mission of art to remind man from time to time that he is human, and the time is ripe, just now, today, for such a reminder.
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An ametuer is an artist who supports himself with outside jobs which enable him to paint. A professional is someone whose wife works to enable him to paint.
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Forms in art arise from the impact of idea upon material… so that thinking and belief and attitudes may endure as actual things.
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A youngster told me recently that he was going to give himself a year to see if he has talent. A year! It takes a lifetime to see if you have it. Painting is total engagement.
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It may be any one of an infinite number of concepts, none of which may have any possible bearing upon its degree of newness.
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I’ve been asked often what is the difference between an amateur and a professional artist, and I will tell you.
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An amateur artist is one who works all week at something else so he can paint on Saturday and Sunday. A professional artist is one whose wife works so he can paint all the time.
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The natural reaction of the artist will be strongly towards bringing man back into focus as the center of importance.
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It may be a point of great pride to have a Van Gogh on the living room wall, but the prospects of having Van Gogh himself in the living room would put a great many devoted art lovers to rout.
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Now, when I came on to Washington to begin my job, I was so interested in photography at that time that I really would have preferred to work with Stryker than with my department, which was more artistic if you wish.
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Form is the shape of content.
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I was primarily interested in people, and people in action, so that I did nothing photographically in the sense of doing buildings for their own sake or a still life or anything like that.
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