Now, my knowledge of photography was terribly limited.
BEN SHAHNForms in art arise from the impact of idea upon material… so that thinking and belief and attitudes may endure as actual things.
More Ben Shahn Quotes
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I’ve been asked often what is the difference between an amateur and a professional artist, and I will tell you.
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Paint what you are, paint what you believe, paint what you feel.
BEN SHAHN -
To abstract is to draw out the essence of a matter. To abstract in art is to separate certain fundamentals from irrelevant material which surrounds them.
BEN SHAHN -
How do you paint yellow wheat against a yellow sky? You paint it jet black.
BEN SHAHN -
The artist is likely to be looked upon with some uneasiness by the more conservative members of society.
BEN SHAHN -
Only an individual can imagine, invent, or create. The whole audience of art is an audience of individuals.
BEN SHAHN -
Every great historic change has been based on nonconformity, has been bought either with the blood or with the reputation of nonconformists.
BEN SHAHN -
Nobody had ever done it before, deliberately. Now it’s called documentary, which I suppose is all right … We just took pictures that cried out to be taken.
BEN SHAHN -
An ametuer is an artist who supports himself with outside jobs which enable him to paint. A professional is someone whose wife works to enable him to paint.
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What is it about conformity itself that causes us all to require it of our neighbors and of our artists and then, with consummate fickleness, to forget those who fall into line and eternally celebrate those who do not?
BEN SHAHN -
When you talk about war on poverty it doesn’t mean very much; but if you can show to some degree this sort of thing then you can show a great deal more of how people are living and a very great percentage of our people today.
BEN SHAHN -
Being an artist is not only what you do, but how you live your life.
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I believe that if it were left to artists to choose their own labels, most would choose none.
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I confess that Roy [Stryker] was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn’t understand at the time.
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A work of art rests its merits in traditional qualities. It may constitute a remarkable feat in craftsmanship; it may be a searching study of psychological states; it may be a nostalgic glance backward.
BEN SHAHN