Art almost always has its ingredient of impudence, its flouting of established authority, so that it may substitute its own authority and its own enlightenment.
BEN SHAHNOnly an individual can imagine, invent, or create. The whole audience of art is an audience of individuals.
More Ben Shahn Quotes
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Now, when I came on to Washington to begin my job, I was so interested in photography at that time that I really would have preferred to work with Stryker than with my department, which was more artistic if you wish.
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Of course I realize that photography is not the technical facility as much as it is the eye, and this decision that one makes for the moment at which you are going to snap, you know.
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The values that reside in art are anarchic, they are every man’s loves and hates and his momentary divine revelation.
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The time when I had desire to go to the United States I didn’t have a penny. It was in the middle of the depression, you know. I couldn’t get as far as Hoboken at that time.
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It is not the how of painting but the why. To imitate a style would be a little like teaching a tone of voice or a personality.
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It is an intimately communicative affair between the painter and his painting, a conversation back and forth, the painting telling the painter even as it receives its shape and form.
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If you’re going to be an artist, all life is your subject. And all your experience is part of your art.
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Only an individual can imagine, invent, or create. The whole audience of art is an audience of individuals.
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The popular eye is not untrained; it is only wrongly trained – trained by inferior and insincere visual representations.
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Being an artist is not only what you do, but how you live your life.
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Each artist comes to the painting or sculpture because there he can be told that he, the individual, transcends all classes and flouts all predictions. In the work of art, he finds his uniqueness confirmed.
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The artist is likely to be looked upon with some uneasiness by the more conservative members of society.
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We tried to present the ordinary in an extraordinary manner. But that’s the paradox because the only thing extraordinary about it was that it was so ordinary.
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What is it about conformity itself that causes us all to require it of our neighbors and of our artists and then, with consummate fickleness, to forget those who fall into line and eternally celebrate those who do not?
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It may be any one of an infinite number of concepts, none of which may have any possible bearing upon its degree of newness.
BEN SHAHN