It is not the how of painting but the why. To imitate a style would be a little like teaching a tone of voice or a personality.
BEN SHAHNOnly an individual can imagine, invent, or create. The whole audience of art is an audience of individuals.
More Ben Shahn Quotes
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If you’re going to be an artist, all life is your subject. And all your experience is part of your art.
BEN SHAHN -
I confess that Roy [Stryker] was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn’t understand at the time.
BEN SHAHN -
Of course I realize that photography is not the technical facility as much as it is the eye, and this decision that one makes for the moment at which you are going to snap, you know.
BEN SHAHN -
I’ve been asked often what is the difference between an amateur and a professional artist, and I will tell you.
BEN SHAHN -
The natural reaction of the artist will be strongly towards bringing man back into focus as the center of importance.
BEN SHAHN -
Form is the shape of content.
BEN SHAHN -
An amateur artist is one who works all week at something else so he can paint on Saturday and Sunday. A professional artist is one whose wife works so he can paint all the time.
BEN SHAHN -
I love chaos…. It’s the poetic element in a dull and ordered world.
BEN SHAHN -
Nobody had ever done it before, deliberately. Now it’s called documentary, which I suppose is all right … We just took pictures that cried out to be taken.
BEN SHAHN -
We tried to present the ordinary in an extraordinary manner. But that’s the paradox because the only thing extraordinary about it was that it was so ordinary.
BEN SHAHN -
Now, my knowledge of photography was terribly limited.
BEN SHAHN -
Only an individual can imagine, invent, or create. The whole audience of art is an audience of individuals.
BEN SHAHN -
I was primarily interested in people, and people in action, so that I did nothing photographically in the sense of doing buildings for their own sake or a still life or anything like that.
BEN SHAHN -
I was brought in, not in the photographic department at all, I was brought in on a thing called Special Skills. I was to do posters, pamphlets, murals, propaganda in general, you know.
BEN SHAHN -
The popular eye is not untrained; it is only wrongly trained – trained by inferior and insincere visual representations.
BEN SHAHN