Now, when I came on to Washington to begin my job, I was so interested in photography at that time that I really would have preferred to work with Stryker than with my department, which was more artistic if you wish.
BEN SHAHNNow, my knowledge of photography was terribly limited.
More Ben Shahn Quotes
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An ametuer is an artist who supports himself with outside jobs which enable him to paint. A professional is someone whose wife works to enable him to paint.
BEN SHAHN -
We tried to present the ordinary in an extraordinary manner. But that’s the paradox because the only thing extraordinary about it was that it was so ordinary.
BEN SHAHN -
It is not the how of painting but the why. To imitate a style would be a little like teaching a tone of voice or a personality.
BEN SHAHN -
It is an intimately communicative affair between the painter and his painting, a conversation back and forth, the painting telling the painter even as it receives its shape and form.
BEN SHAHN -
When you talk about war on poverty it doesn’t mean very much; but if you can show to some degree this sort of thing then you can show a great deal more of how people are living and a very great percentage of our people today.
BEN SHAHN -
I believe that if it were left to artists to choose their own labels, most would choose none.
BEN SHAHN -
It is the mission of art to remind man from time to time that he is human, and the time is ripe, just now, today, for such a reminder.
BEN SHAHN -
I love chaos…. It’s the poetic element in a dull and ordered world.
BEN SHAHN -
How do you paint yellow wheat against a yellow sky? You paint it jet black.
BEN SHAHN -
I feel, having the choices I had, I felt I had more control over my own medium than I did over photography.
BEN SHAHN -
Every great historic change has been based on nonconformity, has been bought either with the blood or with the reputation of nonconformists.
BEN SHAHN -
A youngster told me recently that he was going to give himself a year to see if he has talent. A year! It takes a lifetime to see if you have it. Painting is total engagement.
BEN SHAHN -
Personal style, be it that of Michelangelo, or that of Tintoretto… has always been that peculiar personal rapport which has developed between an artist and his medium.
BEN SHAHN -
I’ve been asked often what is the difference between an amateur and a professional artist, and I will tell you.
BEN SHAHN -
I confess that Roy [Stryker] was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn’t understand at the time.
BEN SHAHN







