The natural reaction of the artist will be strongly towards bringing man back into focus as the center of importance.
BEN SHAHNNobody had ever done it before, deliberately. Now it’s called documentary, which I suppose is all right … We just took pictures that cried out to be taken.
More Ben Shahn Quotes
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Art almost always has its ingredient of impudence, its flouting of established authority, so that it may substitute its own authority and its own enlightenment.
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I feel, having the choices I had, I felt I had more control over my own medium than I did over photography.
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To abstract is to draw out the essence of a matter.
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Every great historic change has been based on nonconformity, has been bought either with the blood or with the reputation of nonconformists.
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The apprehension of… values is intuitive; but it is not a built-in intuition, not something with which one is born. Intuition in art is actually the result of… prolonged tuition.
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I’ve been asked often what is the difference between an amateur and a professional artist, and I will tell you.
BEN SHAHN -
An amateur artist is one who works all week at something else so he can paint on Saturday and Sunday. A professional artist is one whose wife works so he can paint all the time.
BEN SHAHN -
A youngster told me recently that he was going to give himself a year to see if he has talent. A year! It takes a lifetime to see if you have it. Painting is total engagement.
BEN SHAHN -
How do you paint yellow wheat against a yellow sky? You paint it jet black.
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It is not the how of painting but the why. To imitate a style would be a little like teaching a tone of voice or a personality.
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An ametuer is an artist who supports himself with outside jobs which enable him to paint. A professional is someone whose wife works to enable him to paint.
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All art is based on non-conformity.
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Only an individual can imagine, invent, or create. The whole audience of art is an audience of individuals.
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I was primarily interested in people, and people in action, so that I did nothing photographically in the sense of doing buildings for their own sake or a still life or anything like that.
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I confess that Roy [Stryker] was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn’t understand at the time.
BEN SHAHN