Each artist comes to the painting or sculpture because there he can be told that he, the individual, transcends all classes and flouts all predictions. In the work of art, he finds his uniqueness confirmed.
BEN SHAHNI feel, having the choices I had, I felt I had more control over my own medium than I did over photography.
More Ben Shahn Quotes
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I believe that if it were left to artists to choose their own labels, most would choose none.
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We tried to present the ordinary in an extraordinary manner. But that’s the paradox because the only thing extraordinary about it was that it was so ordinary.
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It is an intimately communicative affair between the painter and his painting, a conversation back and forth, the painting telling the painter even as it receives its shape and form.
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Now, my knowledge of photography was terribly limited.
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Every great historic change has been based on nonconformity, has been bought either with the blood or with the reputation of nonconformists.
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Forms in art arise from the impact of idea upon material… so that thinking and belief and attitudes may endure as actual things.
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An ametuer is an artist who supports himself with outside jobs which enable him to paint. A professional is someone whose wife works to enable him to paint.
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Content may by trivial. But I do not think that any person may pronounce either upon the weight or upon the triviality of an idea before its execution.
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The time when I had desire to go to the United States I didn’t have a penny. It was in the middle of the depression, you know. I couldn’t get as far as Hoboken at that time.
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Form is the shape of content.
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Now, when I came on to Washington to begin my job, I was so interested in photography at that time that I really would have preferred to work with Stryker than with my department, which was more artistic if you wish.
BEN SHAHN -
It is not the how of painting but the why. To imitate a style would be a little like teaching a tone of voice or a personality.
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Personal style, be it that of Michelangelo, or that of Tintoretto… has always been that peculiar personal rapport which has developed between an artist and his medium.
BEN SHAHN -
The popular eye is not untrained; it is only wrongly trained – trained by inferior and insincere visual representations.
BEN SHAHN -
I became interested in photography when I was sharing a studio with Walker Evans, and found my own sketching was inadequate.
BEN SHAHN