The moving toward one’s inner self is a long pilgrimage for a painter. It offers many temporary successes and high points, but impels him on toward the more adequate image.
BEN SHAHNIf one has set for himself the position that his painting shall not misconstrue his personal mode of thinking, then he must be rather alert to just what he does think.
More Ben Shahn Quotes
-
-
The apprehension of… values is intuitive; but it is not a built-in intuition, not something with which one is born. Intuition in art is actually the result of… prolonged tuition.
BEN SHAHN -
If one has set for himself the position that his painting shall not misconstrue his personal mode of thinking, then he must be rather alert to just what he does think.
BEN SHAHN -
It may be any one of an infinite number of concepts, none of which may have any possible bearing upon its degree of newness.
BEN SHAHN -
It may be a point of great pride to have a Van Gogh on the living room wall, but the prospects of having Van Gogh himself in the living room would put a great many devoted art lovers to rout.
BEN SHAHN -
The popular eye is not untrained; it is only wrongly trained – trained by inferior and insincere visual representations.
BEN SHAHN -
To abstract is to draw out the essence of a matter. To abstract in art is to separate certain fundamentals from irrelevant material which surrounds them.
BEN SHAHN -
To abstract is to draw out the essence of a matter.
BEN SHAHN -
I’ve been asked often what is the difference between an amateur and a professional artist, and I will tell you.
BEN SHAHN -
Paint what you are, paint what you believe, paint what you feel.
BEN SHAHN -
An ametuer is an artist who supports himself with outside jobs which enable him to paint. A professional is someone whose wife works to enable him to paint.
BEN SHAHN -
I feel, having the choices I had, I felt I had more control over my own medium than I did over photography.
BEN SHAHN -
Only an individual can imagine, invent, or create. The whole audience of art is an audience of individuals.
BEN SHAHN -
We tried to present the ordinary in an extraordinary manner. But that’s the paradox because the only thing extraordinary about it was that it was so ordinary.
BEN SHAHN -
I became interested in photography when I was sharing a studio with Walker Evans, and found my own sketching was inadequate.
BEN SHAHN -
Personal style, be it that of Michelangelo, or that of Tintoretto… has always been that peculiar personal rapport which has developed between an artist and his medium.
BEN SHAHN