The natural reaction of the artist will be strongly towards bringing man back into focus as the center of importance.
BEN SHAHNThe artist is likely to be looked upon with some uneasiness by the more conservative members of society.
More Ben Shahn Quotes
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Form is the shape of content.
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To abstract is to draw out the essence of a matter. To abstract in art is to separate certain fundamentals from irrelevant material which surrounds them.
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An ametuer is an artist who supports himself with outside jobs which enable him to paint. A professional is someone whose wife works to enable him to paint.
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The moving toward one’s inner self is a long pilgrimage for a painter. It offers many temporary successes and high points, but impels him on toward the more adequate image.
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How do you paint yellow wheat against a yellow sky? You paint it jet black.
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To abstract is to draw out the essence of a matter.
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It may be any one of an infinite number of concepts, none of which may have any possible bearing upon its degree of newness.
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I feel, having the choices I had, I felt I had more control over my own medium than I did over photography.
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Of course I realize that photography is not the technical facility as much as it is the eye, and this decision that one makes for the moment at which you are going to snap, you know.
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Each artist comes to the painting or sculpture because there he can be told that he, the individual, transcends all classes and flouts all predictions. In the work of art, he finds his uniqueness confirmed.
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Personal style, be it that of Michelangelo, or that of Tintoretto… has always been that peculiar personal rapport which has developed between an artist and his medium.
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I was primarily interested in people, and people in action, so that I did nothing photographically in the sense of doing buildings for their own sake or a still life or anything like that.
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A work of art rests its merits in traditional qualities. It may constitute a remarkable feat in craftsmanship; it may be a searching study of psychological states; it may be a nostalgic glance backward.
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Now, my knowledge of photography was terribly limited.
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It is an intimately communicative affair between the painter and his painting, a conversation back and forth, the painting telling the painter even as it receives its shape and form.
BEN SHAHN