Form is the shape of content.
BEN SHAHNIt is an intimately communicative affair between the painter and his painting, a conversation back and forth, the painting telling the painter even as it receives its shape and form.
More Ben Shahn Quotes
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Art almost always has its ingredient of impudence, its flouting of established authority, so that it may substitute its own authority and its own enlightenment.
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Every great historic change has been based on nonconformity, has been bought either with the blood or with the reputation of nonconformists.
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The moving toward one’s inner self is a long pilgrimage for a painter. It offers many temporary successes and high points, but impels him on toward the more adequate image.
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What is it about conformity itself that causes us all to require it of our neighbors and of our artists and then, with consummate fickleness, to forget those who fall into line and eternally celebrate those who do not?
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I was primarily interested in people, and people in action, so that I did nothing photographically in the sense of doing buildings for their own sake or a still life or anything like that.
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A work of art rests its merits in traditional qualities. It may constitute a remarkable feat in craftsmanship; it may be a searching study of psychological states; it may be a nostalgic glance backward.
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I love chaos…. It’s the poetic element in a dull and ordered world.
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I’ve been asked often what is the difference between an amateur and a professional artist, and I will tell you.
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I became interested in photography when I was sharing a studio with Walker Evans, and found my own sketching was inadequate.
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An ametuer is an artist who supports himself with outside jobs which enable him to paint. A professional is someone whose wife works to enable him to paint.
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To abstract is to draw out the essence of a matter.
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All art is based on nonconformity … Without nonconformity we would have had no Bill of Rights or Magna Carta, no public education system, no nation upon this continent, no continent, no science at all, no philosophy, and considerably fewer religions.
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I confess that Roy [Stryker] was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn’t understand at the time.
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How do you paint yellow wheat against a yellow sky? You paint it jet black.
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Now, when I came on to Washington to begin my job, I was so interested in photography at that time that I really would have preferred to work with Stryker than with my department, which was more artistic if you wish.
BEN SHAHN