“In terms of a narrative nonfiction book, when you’re describing scenes that you have multiple sources for, and that you have differing sources for, and you decide to choose a path that puts all that information together.”

I have an antique console stand-up radio that I bought in a yard sale, that I’ve always half-believed has magical properties. It’s in my office, and it has watched over each of the fifteen books I’ve written. It also helped me find my wife.

Rumor gets printed as fact. We may have lost our critical facility as a nation.

I certainly was a geeky kid myself, but to me, math and science were always these magical things- powerful tools you could use in incredible ways.

The idea that the story is true is more important than being able to prove that it’s true.

I’ve always loved adventure stories that involve brilliant kids using their brains to beat systems that seem unbeatable.

I write about nerds who go the extra mile and become rock stars.

There’s always going to be controversy when you write the way I write.

Businesses should follow and learn from others successes and failures in order to better understand and predict their own.

Well yeah, there’s definitely going to be a little bit of the author in that. But there’s nothing wrong with that.

People rely on Wikipedia, and a lot of it is wrong. But because there it is on the Internet, they assume it’s right.

I believe Facebook is going all the way. They’re going to reach a billion members and will be the biggest company in the world. It will be a platform everyone goes on the Internet through.

I see myself as an entertainer.

I write nonfiction in this thriller-esque style. I have all the facts; I research it. I have thousands of pages of court documents… I try to get inside my stories.

I write because I can’t sleep.

Seeing someone reading something I wrote on an airplane – things like that are pretty awesome.

When we look closely, or when we become weavers, we learn of the tiny multiple threads unseen in the overall pattern, the knots on the underside of the carpet

It’s what you sow that multiplies, not what you keep in the barn.

I only translate authors whose work already interests me as a reader, and that’s a decision I make based on multiple encounters with an author’s work.

You can feel all things at once, so why not wear all things at once?

The self is only a threshold, a door, a becoming between two multiplicities.

I feel quite excited about the possibility of working on multiple albums. There’s something really iconic about having a catalog featuring a lot of albums, and I’d love to have that legacy.

Nietzsche’s break with Schopenhauer rests on precisely this point; it is a matter of knowing whether the will is unitary or multiple.

You are a multiple choice exam and I have circled all the wrong answers.