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Suspense left my life a long time ago, now it has returned. I do not care for it.

Ben Marcus

I work a lot in the summers. My family goes to Maine, where we have a little house. My wife’s a writer, too, and we can write for six hours a day and then play with the kids.
BEN MARCUS

House Kids Summer Wife Writing
Eventually you stop paying attention to your own feelings when there’s nothing to be done about them.
BEN MARCUS

Attention Done Feelings
A misspelled word is probably an alias for some desperate call for aid, which is bound to fail.
BEN MARCUS

Desperate Failing Language
I love the way dates in a text make us think that truth will follow.
BEN MARCUS

Follow Thinking Truth Way
Being with him was like being alone underwater – everything was slow; nothing counted; I could not be harmed; I would feel dry and cold when I resurfaced.
BEN MARCUS

Alone Being Like Love Underwater
When I started writing at 18 or 19, I had a fear of anything autobiographical, but I’ve come to realise that my writing is very autobiographical at the emotional level.
BEN MARCUS

Emotional Level Writing
I work, and then I leave the office, and I’m with my kids and just sort of enjoy them on a visceral level, and I don’t feel like I’m exorcising my own deep ideas about parenthood and about how my life will come into play in my work.
BEN MARCUS

Ideas Kids Parenthood Play
Sorry, I said to myself, wondering how many times in my marriage I’d said that, how many times I’d meant it, how many times Claire had actually believed it, and, most important, how many times the utterance had any impact whatsoever on our dispute. What a lovely chart one could draw of this word Sorry.
BEN MARCUS

Dispute Impact Love Sorry Times Wonder yself
Teaching is all armchair. I learn about writing by writing and thinking about what I’ve written and throwing it away.
BEN MARCUS

Teaching Thinking Writing
I’m interested in the hope we invest in science, and the disappointment we can feel when science flattens, or ‘explains,’ the larger mysteries of religion.
BEN MARCUS

Disappointment Feels Mystery
Fiction is too complicated and too elusive to break down into a set of tricks.
BEN MARCUS

Breaking Complicated Down Fiction
In some sense, prose fiction is just a way of unlocking a space. If I can unlock the space, it comes out and it’s vivid, I find that I care about it, and it’s part of me.
BEN MARCUS

Care Fiction Space
The common, the quotidian, is so much more unyielding to me, really stubborn and hard to work with, and I like this because it makes me think and it makes me worry. I can’t just plunge my hand into the meat of it. I need new approaches.
BEN MARCUS

Hands Thinking Worry
It’s lonely to listen to the pleasure of others, not that I’ve made a habit of that kind of eavesdropping. There’s joy and passion in the next room, in the next bed, but it’s not yours.
BEN MARCUS

Joy Lonely Passion
My goal, with whatever I’m working on, is to lose track of time.
BEN MARCUS

Goal Loses Track
RHETORIC The art of making life less believable; the calculated use of language, not to alarm but to do full harm to our busy minds and properly dispose our listeners to a pain they have never dreamed of.
BEN MARCUS

Art Believe Calculate Harm Language Pain Wise

Suspense left my life a long time ago, now it has returned. I do not care for it.

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Suspense left my life a long time ago, now it has returned. I do not care for it.

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Popular Authors

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