The common, the quotidian, is so much more unyielding to me, really stubborn and hard to work with, and I like this because it makes me think and it makes me worry. I can’t just plunge my hand into the meat of it. I need new approaches.
BEN MARCUSWhen I started writing at 18 or 19, I had a fear of anything autobiographical, but I’ve come to realise that my writing is very autobiographical at the emotional level.
More Ben Marcus Quotes
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Being with him was like being alone underwater – everything was slow; nothing counted; I could not be harmed; I would feel dry and cold when I resurfaced.
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My goal, with whatever I’m working on, is to lose track of time.
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Without sound, celebration and grief look nearly the same.
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Eventually you stop paying attention to your own feelings when there’s nothing to be done about them.
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Slamming the book shut produces a wind on the face, a weather that is copyrighted by the author, and this wind may not be deployed without permission, nor may the pages be turned without express written permission.
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Judaism to me, as badly as I practiced it, what I’ve always loved about it was its total embrace of complexity, its admission of unknowability.
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Spelling is a way to make words safe, at least for now, until another technology appears to soften attacks launched from the mouth.
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A self needed to spill out sometimes, a body should show evidence of what the hell went on inside it.
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I love the way dates in a text make us think that truth will follow.
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To refrain from storytelling is perhaps one of the highest forms of respect we can pay. Those people, with no stories to circle them, can die without being misunderstood.
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Fiction is too complicated and too elusive to break down into a set of tricks.
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I’m interested in the hope we invest in science, and the disappointment we can feel when science flattens, or ‘explains,’ the larger mysteries of religion.
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It amazes me that parents are allowed to raise kids. There’s so much power and often very little accountability.
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My first book, ‘The Age of Wire and String,’ came out in 1995, and it was hardly reviewed at all.
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In some sense, prose fiction is just a way of unlocking a space. If I can unlock the space, it comes out and it’s vivid, I find that I care about it, and it’s part of me.
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