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My goal, with whatever I’m working on, is to lose track of time.

Ben Marcus

Sorry, I said to myself, wondering how many times in my marriage I’d said that, how many times I’d meant it, how many times Claire had actually believed it, and, most important, how many times the utterance had any impact whatsoever on our dispute. What a lovely chart one could draw of this word Sorry.
BEN MARCUS

Dispute Impact Love Sorry Times Wonder yself
I like big doses of grief when I read: Richard Yates, Flannery O’Connor, Kenzabaro Oe, Thomas Bernhard.
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Bigs Dose Grief
When I started writing at 18 or 19, I had a fear of anything autobiographical, but I’ve come to realise that my writing is very autobiographical at the emotional level.
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Emotional Level Writing
The context of what can be known establishes that love and indifference are forms of language, but the wise addition of punctuation allows us to believe that there are other harms – the dash gives the reader the clear signal they are coming.
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Believe Dash Establish Indifference Language Love Wise
In some sense, prose fiction is just a way of unlocking a space. If I can unlock the space, it comes out and it’s vivid, I find that I care about it, and it’s part of me.
BEN MARCUS

Care Fiction Space
You can test things out without terrible consequences. Or maybe the consequences are there, but they are deferred, buried, much harder to detect.
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Consequences Detect Terrible Test
I love the way dates in a text make us think that truth will follow.
BEN MARCUS

Follow Thinking Truth Way
RHETORIC The art of making life less believable; the calculated use of language, not to alarm but to do full harm to our busy minds and properly dispose our listeners to a pain they have never dreamed of.
BEN MARCUS

Art Believe Calculate Harm Language Pain Wise
Slamming the book shut produces a wind on the face, a weather that is copyrighted by the author, and this wind may not be deployed without permission, nor may the pages be turned without express written permission.
BEN MARCUS

Book Copyright Permisson Weather Wind
My goal, with whatever I’m working on, is to lose track of time.
BEN MARCUS

Goal Loses Track
The common, the quotidian, is so much more unyielding to me, really stubborn and hard to work with, and I like this because it makes me think and it makes me worry. I can’t just plunge my hand into the meat of it. I need new approaches.
BEN MARCUS

Hands Thinking Worry
I work, and then I leave the office, and I’m with my kids and just sort of enjoy them on a visceral level, and I don’t feel like I’m exorcising my own deep ideas about parenthood and about how my life will come into play in my work.
BEN MARCUS

Ideas Kids Parenthood Play
Being with him was like being alone underwater – everything was slow; nothing counted; I could not be harmed; I would feel dry and cold when I resurfaced.
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Alone Being Like Love Underwater
I work a lot in the summers. My family goes to Maine, where we have a little house. My wife’s a writer, too, and we can write for six hours a day and then play with the kids.
BEN MARCUS

House Kids Summer Wife Writing
Eventually you stop paying attention to your own feelings when there’s nothing to be done about them.
BEN MARCUS

Attention Done Feelings
Without sound, celebration and grief look nearly the same.
BEN MARCUS

Grief Looks Sound

My goal, with whatever I’m working on, is to lose track of time.

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My goal, with whatever I’m working on, is to lose track of time.

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