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RHETORIC The art of making life less believable; the calculated use of language, not to alarm but to do full harm to our busy minds and properly dispose our listeners to a pain they have never dreamed of.

Ben Marcus

Suspense left my life a long time ago, now it has returned. I do not care for it.
BEN MARCUS

Care Long Suspense
In some sense, prose fiction is just a way of unlocking a space. If I can unlock the space, it comes out and it’s vivid, I find that I care about it, and it’s part of me.
BEN MARCUS

Care Fiction Space
Eventually you stop paying attention to your own feelings when there’s nothing to be done about them.
BEN MARCUS

Attention Done Feelings
My first book, ‘The Age of Wire and String,’ came out in 1995, and it was hardly reviewed at all.
BEN MARCUS

Age Book Review Wire
Spelling is a way to make words safe, at least for now, until another technology appears to soften attacks launched from the mouth.
BEN MARCUS

Mouth Safe Technology
Without sound, celebration and grief look nearly the same.
BEN MARCUS

Grief Looks Sound
To me one of the amazing technologies of writing is the way it can listen in on thoughts. I don’t feel that that’s natural to other art forms in the same way.
BEN MARCUS

Art Feel Listen Technology Writing
It’s lonely to listen to the pleasure of others, not that I’ve made a habit of that kind of eavesdropping. There’s joy and passion in the next room, in the next bed, but it’s not yours.
BEN MARCUS

Joy Lonely Passion
I’m an enormous fan of Thomas Bernhard’s books, and I like the relentless feeling in his work – the pursuit of darkness, the negative – and I think in some sense I’ve internalised that as what one is supposed to do.
BEN MARCUS

Book Darkness Negative Thinking
Slamming the book shut produces a wind on the face, a weather that is copyrighted by the author, and this wind may not be deployed without permission, nor may the pages be turned without express written permission.
BEN MARCUS

Book Copyright Permisson Weather Wind
Sorry, I said to myself, wondering how many times in my marriage I’d said that, how many times I’d meant it, how many times Claire had actually believed it, and, most important, how many times the utterance had any impact whatsoever on our dispute. What a lovely chart one could draw of this word Sorry.
BEN MARCUS

Dispute Impact Love Sorry Times Wonder yself
RHETORIC The art of making life less believable; the calculated use of language, not to alarm but to do full harm to our busy minds and properly dispose our listeners to a pain they have never dreamed of.
BEN MARCUS

Art Believe Calculate Harm Language Pain Wise
I work, and then I leave the office, and I’m with my kids and just sort of enjoy them on a visceral level, and I don’t feel like I’m exorcising my own deep ideas about parenthood and about how my life will come into play in my work.
BEN MARCUS

Ideas Kids Parenthood Play
The common, the quotidian, is so much more unyielding to me, really stubborn and hard to work with, and I like this because it makes me think and it makes me worry. I can’t just plunge my hand into the meat of it. I need new approaches.
BEN MARCUS

Hands Thinking Worry
A misspelled word is probably an alias for some desperate call for aid, which is bound to fail.
BEN MARCUS

Desperate Failing Language
Mostly we’re motivated to control ourselves in public. Mostly. At home the motivation is much less clear. At home there’s a bit of a lab for bad behavior.
BEN MARCUS

Home Labs Motivation

RHETORIC The art of making life less believable; the calculated use of language, not to alarm but to do full harm to our busy minds and properly dispose our listeners to a pain they have never dreamed of.

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Popular Authors

RHETORIC The art of making life less believable; the calculated use of language, not to alarm but to do full harm to our busy minds and properly dispose our listeners to a pain they have never dreamed of.

Related Topics

Popular Authors

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