Fiction is too complicated and too elusive to break down into a set of tricks.
BEN MARCUSIn some sense, prose fiction is just a way of unlocking a space. If I can unlock the space, it comes out and it’s vivid, I find that I care about it, and it’s part of me.
More Ben Marcus Quotes
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Judaism to me, as badly as I practiced it, what I’ve always loved about it was its total embrace of complexity, its admission of unknowability.
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When I started writing at 18 or 19, I had a fear of anything autobiographical, but I’ve come to realise that my writing is very autobiographical at the emotional level.
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My goal, with whatever I’m working on, is to lose track of time.
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It amazes me that parents are allowed to raise kids. There’s so much power and often very little accountability.
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I’m interested in the hope we invest in science, and the disappointment we can feel when science flattens, or ‘explains,’ the larger mysteries of religion.
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My first book, ‘The Age of Wire and String,’ came out in 1995, and it was hardly reviewed at all.
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Without sound, celebration and grief look nearly the same.
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In certain strains of Judaism, there’s a profound passion for the ineffable. Contemplation of God is meant to be forever elusive, because, you know, our tiny minds can’t possibly comprehend Him. If we find ourselves comprehending Him, then we can be sure we’re off track.
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To refrain from storytelling is perhaps one of the highest forms of respect we can pay. Those people, with no stories to circle them, can die without being misunderstood.
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A misspelled word is probably an alias for some desperate call for aid, which is bound to fail.
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Spelling is a way to make words safe, at least for now, until another technology appears to soften attacks launched from the mouth.
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Being with him was like being alone underwater – everything was slow; nothing counted; I could not be harmed; I would feel dry and cold when I resurfaced.
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A self needed to spill out sometimes, a body should show evidence of what the hell went on inside it.
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Slamming the book shut produces a wind on the face, a weather that is copyrighted by the author, and this wind may not be deployed without permission, nor may the pages be turned without express written permission.
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Teaching is all armchair. I learn about writing by writing and thinking about what I’ve written and throwing it away.
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