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Maybe that’s the way I’m private – I respect the privacy of “my” characters? Anyway, we’re getting close to the whole “relatability” and “likability” thing.

Ben Lerner

Most of us start from that position of irony now and what I wanted to do – really felt like I had to do if I was going to write another novel – was move towards something like sincerity.
BEN LERNER

Irony Moving Writing
I’ve been building a fiction in part around the Marfa poem since my brief residency there, which has kept it from receding into the past.
BEN LERNER

Building Fiction Past
I wasn’t aware I’d write the novel when I wrote the New Yorker story either. And the narration of their construction in 10:04 is fiction, however flickering.
BEN LERNER

Fiction Story Writing
The story and the poem are obviously changed by being placed in the novel, so in a sense they’re no longer the works that preceded the novel.
BEN LERNER

Changed Novel Stories
I like to think – knowing that it’s an enabling fiction – of those moments as fragments from a world to come, a world where price isn’t the only measure of value.
BEN LERNER

Fiction Knowing Thinking
Every relationship can feel saturated by market logic or at best purchased at the price of the immiseration of others.
BEN LERNER

Feels Logic Saturated
The transpersonal is more awe-inspiring, more exciting than the thing we confuse it for.
BEN LERNER

Awe Exciting Inspiring
I came to realize that far more important to me than any plot or conventional sense was the sheer directionality I felt while reading prose, the texture of time as it passed, life’s white machine.
BEN LERNER

Important Reading White
I didn’t want to write another book about fraudulence.
BEN LERNER

Book Want Writing
I don’t think “I’m going to publish this as fiction” but I think “I’m going to tell this story to a friend” and then I start telling the story in my mind as the experience transpires as a way of pretending it’s already happened.
BEN LERNER

Fiction Mind Thinking
I’m trying to be somebody on whom the experience is lost by supplanting it with its telling. I definitely do that in medical contexts, even in trivial ones.
BEN LERNER

Lost Medical Trying
My concern is how we live fictions, how fictions have real effects, become facts in that sense, and how our experience of the world changes depending on its arrangement into one narrative or another.
BEN LERNER

Fiction Real World
If I was a poet, I had become one because poetry, more intensely than any other practice, could not evade its anachronism and marginality and so constituted a kind of acknowledgment of my own preposterousness, admitting my bad faith in good faith, so to speak.
BEN LERNER

Admitting Kind Practice
I think the parable is a peculiar way of saying that redemption is immanent whether or not it’s imminent, that the world to come is in a sense always already here, if still unavailable. I find this idea powerful for several reasons. For one thing, it’s an antidote to despair.
BEN LERNER

Ideas Powerful Thinking
Experiments with the “as if” of fiction are often more lively in poetry and criticism and other modes of writing than in weak short stories or novels.
BEN LERNER

Criticism Fiction Writing
I was a violent, bipolar, compulsive liar. I was a real American.
BEN LERNER

Bipolar Liars Real

Maybe that’s the way I’m private – I respect the privacy of “my” characters? Anyway, we’re getting close to the whole “relatability” and “likability” thing.

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Maybe that’s the way I’m private – I respect the privacy of “my” characters? Anyway, we’re getting close to the whole “relatability” and “likability” thing.

Related Topics

Popular Authors

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