Anyway I read more contemporary poetry than contemporary fiction so my mind goes first to a kind of crass “conceptualism” that repeats vanguard gestures of the past minus the politics and historical context.
BEN LERNERAnyway I read more contemporary poetry than contemporary fiction so my mind goes first to a kind of crass “conceptualism” that repeats vanguard gestures of the past minus the politics and historical context.
More Ben Lerner Quotes
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The scare quotes burn off like fog.
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I’m defending fiction as a human capacity more than as a popular or dying literary genre.
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Just in case God isn’t dead, our astronauts carry sidearms.
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Shaving is a way to start the workday by ritually not cutting your throat when you’ve the chance.
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When the narrator feels like an octopus, when he says his limbs are starting to multiply, he means he has inklings of orders of perception beyond his individual body.
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Every relationship can feel saturated by market logic or at best purchased at the price of the immiseration of others.
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My concern is how we live fictions, how fictions have real effects, become facts in that sense, and how our experience of the world changes depending on its arrangement into one narrative or another.
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Are there are fireflies on the West Coast? I never saw any when I lived in California.
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I didn’t want to write another book about fraudulence.
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Henry James claim that if you want to be a novelist you should be somebody on whom nothing is lost.
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I have no interest in artists who are purely affirmative, who’ve made a commercialized fetish of the culture’s stupidity.
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I’m trying to be somebody on whom the experience is lost by supplanting it with its telling. I definitely do that in medical contexts, even in trivial ones.
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I came to realize that far more important to me than any plot or conventional sense was the sheer directionality I felt while reading prose, the texture of time as it passed, life’s white machine.
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I’ve been building a fiction in part around the Marfa poem since my brief residency there, which has kept it from receding into the past.
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Experiments with the “as if” of fiction are often more lively in poetry and criticism and other modes of writing than in weak short stories or novels.
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