The story and the poem are obviously changed by being placed in the novel, so in a sense they’re no longer the works that preceded the novel.
BEN LERNERMy concern is how we live fictions, how fictions have real effects, become facts in that sense, and how our experience of the world changes depending on its arrangement into one narrative or another.
More Ben Lerner Quotes
-
-
When the narrator feels like an octopus, when he says his limbs are starting to multiply, he means he has inklings of orders of perception beyond his individual body.
BEN LERNER -
Just in case God isn’t dead, our astronauts carry sidearms.
BEN LERNER -
I have no interest in artists who are purely affirmative, who’ve made a commercialized fetish of the culture’s stupidity.
BEN LERNER -
I usually see the word “metafiction” applied to works that draw attention to their own devices, their own artificiality, in order to mock novelistic convention and show the impossibility of capturing a reality external to the text or whatever.
BEN LERNER -
I was a violent, bipolar, compulsive liar. I was a real American.
BEN LERNER -
Experiments with the “as if” of fiction are often more lively in poetry and criticism and other modes of writing than in weak short stories or novels.
BEN LERNER -
I don’t think “I’m going to publish this as fiction” but I think “I’m going to tell this story to a friend” and then I start telling the story in my mind as the experience transpires as a way of pretending it’s already happened.
BEN LERNER -
What interests me about fiction is, in part, its flickering edge between realism and where a tear in the fabric of a story lets in some other sort of light.
BEN LERNER -
The scare quotes burn off like fog.
BEN LERNER -
Shaving is a way to start the workday by ritually not cutting your throat when you’ve the chance.
BEN LERNER -
I think the parable is a peculiar way of saying that redemption is immanent whether or not it’s imminent, that the world to come is in a sense always already here, if still unavailable. I find this idea powerful for several reasons. For one thing, it’s an antidote to despair.
BEN LERNER -
I came to realize that far more important to me than any plot or conventional sense was the sheer directionality I felt while reading prose, the texture of time as it passed, life’s white machine.
BEN LERNER -
I wasn’t aware I’d write the novel when I wrote the New Yorker story either. And the narration of their construction in 10:04 is fiction, however flickering.
BEN LERNER -
My concern is how we live fictions, how fictions have real effects, become facts in that sense, and how our experience of the world changes depending on its arrangement into one narrative or another.
BEN LERNER -
The transpersonal is more awe-inspiring, more exciting than the thing we confuse it for.
BEN LERNER