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When the narrator feels like an octopus, when he says his limbs are starting to multiply, he means he has inklings of orders of perception beyond his individual body.

Ben Lerner

My concern is how we live fictions, how fictions have real effects, become facts in that sense, and how our experience of the world changes depending on its arrangement into one narrative or another.
BEN LERNER

Fiction Real World
If I was a poet, I had become one because poetry, more intensely than any other practice, could not evade its anachronism and marginality and so constituted a kind of acknowledgment of my own preposterousness, admitting my bad faith in good faith, so to speak.
BEN LERNER

Admitting Kind Practice
I’m defending fiction as a human capacity more than as a popular or dying literary genre.
BEN LERNER

Dying Fiction Genre Literary
I think the parable is a peculiar way of saying that redemption is immanent whether or not it’s imminent, that the world to come is in a sense always already here, if still unavailable. I find this idea powerful for several reasons. For one thing, it’s an antidote to despair.
BEN LERNER

Ideas Powerful Thinking
Are there are fireflies on the West Coast? I never saw any when I lived in California.
BEN LERNER

Country Firefly West Coast
I don’t think it’s always a sign of respect for persons (inside or outside of fiction) to pretend to be able to represent, to have access to, their multi-dimensionality at every moment. That doesn’t imply people aren’t multi-dimensional.
BEN LERNER

Fiction People Thinking
Anyway I read more contemporary poetry than contemporary fiction so my mind goes first to a kind of crass “conceptualism” that repeats vanguard gestures of the past minus the politics and historical context.
BEN LERNER

Contemporary Fiction Historical Past
I think the anti-intellectualism of a lot of contemporary fiction is a kind of despairing of literature’s ability to be anything more than perfectly bound blog posts or transcribed sitcoms.
BEN LERNER

Contemporary Fiction Literature Thinking
Maybe that’s the way I’m private – I respect the privacy of “my” characters? Anyway, we’re getting close to the whole “relatability” and “likability” thing.
BEN LERNER

Character Privacy Way
Just in case God isn’t dead, our astronauts carry sidearms.
BEN LERNER

Astronaut Carry Cases Sidearms
The story and the poem are obviously changed by being placed in the novel, so in a sense they’re no longer the works that preceded the novel.
BEN LERNER

Changed Novel Stories
I was a violent, bipolar, compulsive liar. I was a real American.
BEN LERNER

Bipolar Liars Real
I like to think – knowing that it’s an enabling fiction – of those moments as fragments from a world to come, a world where price isn’t the only measure of value.
BEN LERNER

Fiction Knowing Thinking
Henry James claim that if you want to be a novelist you should be somebody on whom nothing is lost.
BEN LERNER

Lost Novelist Want
What interests me about fiction is, in part, its flickering edge between realism and where a tear in the fabric of a story lets in some other sort of light.
BEN LERNER

Fiction Light Tears
When the narrator feels like an octopus, when he says his limbs are starting to multiply, he means he has inklings of orders of perception beyond his individual body.
BEN LERNER

Mean Octopus Order

When the narrator feels like an octopus, when he says his limbs are starting to multiply, he means he has inklings of orders of perception beyond his individual body.

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When the narrator feels like an octopus, when he says his limbs are starting to multiply, he means he has inklings of orders of perception beyond his individual body.

Related Topics

Popular Authors

More Ben Lerner Quotes