When I choose a role it’s either because I recognise the man, or that I’m very curious to know him. If I neither recognise nor know him, then it is better that I don’t play him.
BEN KINGSLEYMillions of children are disempowered and we need to empower them.
More Ben Kingsley Quotes
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With narration, you have to be very accurate with your voice. It’s a good exercise to do.
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I do remember, as a child, that I always imagined, when I was maybe 6 or 7, my fantasy was that everywhere I went I was being followed by an invisible film crew.
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Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It’s harder.
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If the director wishes to print it, then you have a series of choices, maybe millions of choices within that minute-and-a-half, or 80 seconds, or 2 minutes or however long or short the take is, you have all those choices committed to celluloid. I find that absolutely thrilling.
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I think Romeo and Juliet is uplifting. That’s how much a son wishes to avenge his father. That is how much two young people can love each other.
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If I were to play somebody who ran a fish and chip shop, I would not work in a fish and chip shop for three months. Staring at chips is not going to help me in my performance.
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I think that most actors, and they’re a very strange lot actors, very strange people, but I think that they attempt to keep in touch with the child.
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I think I’m more bonded, emotionally and in a craft sense, to films that tell extraordinary stories about extraordinary destinies.
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The leaping Jaguar on the bonnet, to me, makes it look more like a hunter than something that is getting away. It’s a hunter. Richard III definitely would have had a chauffeur driven Jaguar MK X.
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I think that all of us either lose touch with the child inside us or try and hold onto it because it so precious to us and it’s such an extraordinary part of our lives.
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The number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.
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Working in film, if you work with great directors, you learn that after every take you must let go. Sitting with my wife at the Academy Awards, we both let the moment just go.
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I’m convinced that had I not changed my name, I don’t think I would have had quite the same career curve that I eventually had.
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I’m very in love with the fact that the camera is revolted by acting and loves behaviour.
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There are some directors, lesser in confidence or skill, who make the actor feel very uncomfortable because you feel you’re auditioning for them, every day, and that’s a terrible feeling on the set.
BEN KINGSLEY







