Every record we do there are always two camps. There’s the camp that’s like, “I love it. It sounds different than the last one.”
BEN GIBBARDThe Photo Album is the weakest record. For the first time in our careers, we found ourselves with an economic incentive to be on the road and to be making albums.
More Ben Gibbard Quotes
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I’m starting to relate more to the late-period Kerouac stuff in the way that I once related to the fun and excitement of the early material. There’s a darkness inside of me that I’m only now starting to come to grips with and accept. And it’s starting to scare me.
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I just rediscovered my guitar.
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I’ve always had a soft spot for Phil Collins. He’s a great vocalist.
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There are the people that are like, “I want it to sound like the last one.” You can’t please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
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We were not goofing around anymore. We all threw everything we had into this in a way where we all found ourselves really far from home, and we were stuck with each other.
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An ex-girlfriend once got upset when I told her that music is the most important thing in my life. It’s more important than anyone else could ever be.
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We never sit down before we start making a record and talk about this new sonic palette that we are going to try to explore. We always let the record kind of reveal itself to us over time.
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As you go through your life, you make friendships, you break friendships, you have relationships. Music is the one thing I’ve always been able to rely on.
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There were a lot of fences and walls existing in my life, literally and figuratively, and that was really not indicative of the kind of person that I’d always been. So, when I moved back to Seattle, the first thing I said was, “I will never live in fear again.”
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Now that we have the resources, we’re like, “Oh wow, a nice studio is pretty nice! They do have nice outboards here. It’s actually a pretty good place.” It’s funny how much changes so quickly.
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And it came to me then that every plan is a tiny prayer to father time.
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Anything was better than going to work. All those early tours before we made any money were more like vacations. I don’t think it was until 2001 that we pulled our heads out of the sand and were like, “What are we doing?”
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The songwriting of Hall & Oates is deceptively complex. There are a number of key changes that pass you by as you’re listening to the song because they’re so seamless and clever.
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Death Cab is a militantly analog band. We’ll continue moving forward with our sound, but there will be no crossover.
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I don’t want to be overly dramatic and say it’s the only thing that gets me up and keeps me going. But people in your life come and go.
BEN GIBBARD